Kling 1.6 (pro) Interior scene set in a typical Slavic apartment, heavily influenced by early 2010s aesthetics.
Camera angle: wide-angle shot from the corner of the room, slightly elevated, capturing the entire chaotic moment like a candid snapshot or a frame from a surreal dark comedy.
The room is small and slightly cluttered, with a large red Persian carpet hanging on the wall, worn-out Soviet-style wallpaper with faded floral patterns, and a wooden wall unit filled with DVDs, CDs, VHS tapes, and ceramic figurines.
The walls are decorated with posters of male celebrities popular in the 2010s — think Zac Efron, Robert Pattinson, Justin Bieber, arranged chaotically, some curling at the edges.
A small tube TV sits on a lace-covered wooden stand, and next to it — a cheap plastic stereo with blinking lights playing loud music (you can imagine it’s something like early pop/rave). A few energy drink cans and lip glosses are scattered on a cluttered vanity.
In the center of the room is a bimbo girl, around 18–20 years old, sitting cross-legged on a bed with a shiny pink bedspread. She has bleached platinum-blonde hair, extra long French-tip acrylic nails, overlined lips, and wears a tight yellow tank top with a red lipstick kiss print on it, plus a short miniskirt.
She is turning her head sharply toward the door, making eye contact with the intruder — her grandmother — while raising her middle finger at her with exaggerated attitude. Her expression is annoyed, exaggeratedly bratty.
The grandmother is a stereotypical Eastern European babushka: short, overweight, hunched, wearing a faded headscarf, thick beige knitted sweater, a long worn-out skirt, and old slippers. Her face is wrinkled, angry, red from yelling, eyebrows furrowed, and she is mid-motion: yelling at her granddaughter, mouth wide open in fury.
A fat, uninterested cat is casually walking past her legs — the grandma is caught in the act of grabbing the cat by the sides, clearly about to hurl it toward the granddaughter in a moment of cartoonish madness.
Lighting is warm but dim, like an old bulb overhead, casting slightly yellow shadows.
The mood is chaotic, surreal, funny but bleak. Think: early 2000s Slavic realism meets meme culture meets domestic warfare.
Visual style: hyper-detailed semi-realistic illustration, 3D cartoon realism, strong contrast, slight grimy vintage texture — like a scene from a satirical Eastern European graphic novel.