Sora 2
The camera glides smoothly through a futuristic city bathed in soft blue light, weaving between tall curved skyscrapers sparkling with built-in technology. In the center is a colossal high-rise building that slowly rotates, radiating energy. The camera turns up. On earth, wide footpaths are filled with movement: people are purposefully strolling, their clothes are slightly fluttering in the wind, their facial expressions change when interacting with holographic interfaces. The central figure steps forward, not taking his eyes off the floating structure above his head, his hair tousled by the wind, his pose confident but thoughtful. Their fingers touch the device on their wrist, causing ripples of light to run down the sleeve. The camera circles them in an arc, capturing the play of movements — buildings reflecting light, slowly floating clouds, gesticulating figures in the distance and a platform above them, imperceptibly changing its position. The atmosphere is utopian, but at the same time electrifying, filled with possibilities. Highlights flicker on the polished surfaces, and the city breathes in a single rhythm. When the figure stops, the camera pulls back, revealing the full splendor of the scene — lively, intricate and cinematic. The camera slides low over the turquoise channel, reflecting a glimpse of the futuristic horizon, where needle towers shimmer with blue energy. The central spire pulsates with light, casting dynamic glare on the metal facades of the surrounding buildings. The flying machines describe an arc overhead, their movements synchronized, as in a technological ballet. The camera turns up