Sora 2 Animated style, high-end 2D character animation with light 3D depth, 9:16 vertical, 16 seconds, office sitcom tone. Two employees and a director as main characters, expressive faces, exaggerated poses, perfect English lip-sync for character lines, no artifacts. Camera: Sony FX6 cinematic aesthetic, Cooke S2/i 35mm anamorphic look, shallow DoF T2.8, 180° shutter, ISO 800, 24fps, Rec.709. Palette: walls light gray #F5F5F5, desk wood #8D6E63, employee 1 blue shirt #1E88E5, employee 2 green shirt #43A047, director suit navy #283593, paper white #FAFAFA, CTA orange #FF6B35, accent blue #004E89. Soft high-key office lighting with warm key, cool fill, gentle rim; light handheld sitcom camera sway. [0–2 s] Wide office shot. Two employees face each other at a desk, locked in intense arm wrestling. Sweat on foreheads, faces strained, silent growls. Smooth dolly-in, mild handheld feel. Music: upbeat sitcom groove 120 BPM. SFX: desk creak, office room tone. [2–5 s] Medium close on hands and faces. Muscles shake, sweat drop falls in slow-motion gag. Characters grimace but do not speak. External English voice-over (not any on-screen character), playful tone, says: “This is how we decide who gets a vacation in July…” No lip-sync to this line, it’s clearly narrator commentary. Music ducks slightly under VO. [5–8 s] Slightly wider shot. Director casually enters from side, relaxed walk, stack of papers in hand, small smirk. Arm wrestling still in foreground. Music keeps light tension. SFX: footsteps, paper rustle. [8–11 s] Medium three-shot. Director reaches the desk and throws papers down between the locked hands; impact makes them release. Papers scatter across desk and arms. Director speaks in confident English with perfect lip-sync: “You’re both going in November.” On “November” both employees’ shoulders drop. [11–12 s] Comedy beat. Both employees flop forward, faces landing in the papers, arms limp. Quick zoom-in. SFX: soft “thump”, paper flutter, short sitcom sting in music. [12–16 s] Transition to CTA. Office and papers slightly blur/darken; from bottom a clean CTA panel rises: solid orange #FF6B35 taking lower third to half. Above it, semi-transparent silhouettes of the three characters: employees face-down, director standing; mouths closed (no lip-sync). On the panel, bold English text slides/fades in: Line 1 (white #FFFFFF, larger): “We’ll build your vacation schedule without fights or fines” Line 2 (white or deep blue #004E89, smaller): “‘Bez pomarok’ Accounting Agency” A separate narrator voice (different timbre from all characters, clean ad tone) reads: “We’ll build your vacation schedule without fights or fines. ‘Bez pomarok’ Accounting Agency.” On-screen characters only have subtle idle motion. Music moves into a steady, confident ending and resolves with a short positive chord, no fade to black; final frame holds CTA text and characters. Audio: character voices vs CTA narrator must sound clearly different. Character lines: light compression, EQ boost ~3–4 kHz. Narrator: fuller studio tone. Music about –8 dB under speech, SFX peaks around –3 dB, master limiter –1 dBTP.