Sora 2
THE REFERENCE SEQUENCE Use the provided image from the Arya Stark poster as a base. Keep your silhouette contours, facial features, costume, lighting, and composition clear. The external silhouette should remain absolutely static and perfectly defined. No distortion, no expansion beyond the contours. Keep the same dark cinematic tones and color palette.SCENE EXPANSION The silhouette interior becomes more vivid due to layered movement: the fog now slowly moves through several deep layers (the foreground is divided into the background), The light of the torches in the castle flickers more noticeably, thanks to the soft iridescence of light, Background figures slightly shift their weight, heads turn slightly, fabric reacts to the wind, the water near the ships gently undulates, forming a visible Ripples and reflections create a sense of atmosphere. as a living memory, not as a still image. The central Arya makes a more noticeable, but still mundane movement: stands motionless, looks forward, takes a barely noticeable breath (chest and shoulders rise slightly), slowly turns her head about 15-20 degrees, first averts her eyes, then turns her head (natural human behavior), Slightly shifting her body weight (very slightly, without foot position changes). Strands of hair subtly react to movement and a gust of wind, the facial expression remains focused, controlled, emotionally protected. - additional internal movement: The direwolf imperceptibly changes his position and blinks when the cloaks and fabrics on the characters are slightly swaying in the wind, the candle flame flickers dynamically with a slight change in brightness, the distant crowd below has a weak, slow collective movement, the layered atmosphere of the wind with a slightly stronger presence, a more distinct crackle of fire, the soft movement of the distant crowd (low, atmospheric), barely noticeable movement of water Optional: barely noticeable movement of metal or fabric to the beat of Arya's style Photorealistic cinematic animation with controlled motion overlay. Keep the quality of the “living painting”, but increase the realism through micro-movements. No fast movements, stylizations, or morphing. Prioritize physical reliability and temporal consistency.THE FEELING OF THE LENS cinematic compression of 85 mm, a feeling of shallow depth, a slight separation into atmospheric depth inside the silhouette.