Kling 2.5 Turbo (pro): girl and boy kissing

Kandinsky 5 Pro: horses and riders are moving

Vidu Q1: A majestic white tiger wearing gold ancient Egyptian jewelry slowly struts through a modern luxury mall, people in background taking selfies in awe, tiger suddenly does a sassy hair flip, dramatic slow-motion, luxurious golden hour lighting through glass roof, ultra realistic fur details + cinematic depth, confident and majestic mood, perfect for Reels

Sora 2: magic foresst

Wan 2.5 Preview: he's at school, so he looks at the blackboard and it says 66+1=67 and he sees six seven!!!, and he flies out the window and his lasers are red from his eyes and he broke all the desks

PixVerse v5: a display of beautiful clothes on the catwalk from all sides

Sora 2: A pretty 25-year-old Russian woman named Katya from the Soviet Union in 1984, she has beautiful long hair, a sweet feminine face, gray eyes, she is wearing a long knitted sweater, dark tights and rubber boots, and she has a small Soviet travel backpack on her back. With the help of a small device, she moves in space and time wherever she wants. She stands in a corridor lit by two light bulbs at the closed door of a room in the basement of a house in Russia in 1981, where a meeting of the Time Travel in History community is taking place. From the closed door of the room, the voices of four children in Russian: "What is it?", three boys and from time to time one girl, can be heard in Russian about aliens and UFOs. Katya is smiling and speaking in Russian, leaning against the closed door: "Save it intact and don't open it." An mysterious cinematic sci-fi feature film in Russian. — natural sound, distinctive background sounds, Without music. - Natural lighting, desaturated colors. - Shot on 35mm film, natural shake. Focus briefly drifts, then smoothly returns—stable yet human. During a fast pan, slight rolling-shutter skew appears. Photorealistic cinematic filming. Hands and faces photorealistic, anatomically correct, no extra limbs or fused fingers.

Kling 1.5 (pro): Create an ultra-realistic, cinematic image. Insert my face in place of Jordan Belfort in the phone sales scene from the movie The Wolf of Wall Street. Use the provided photo as the main reference for: • my face (facial features, proportions, skin texture, eyes) • my facial expression • accurate and realistic lighting on the face The character is seated in a New York brokerage office, holding a telephone, with a confident and dominant posture, slightly leaning forward, intense and self-assured gaze. Highly expressive body language: one hand holding the phone receiver, the other emphasizing the pitch, fingers extended, strong and commanding energy. Body posture and attitude identical to the original scene: extreme confidence, charisma, sales dominance, elite closer mindset. Perfectly adapt my face to the body movement and posture (no pasted or artificial face effect). Visual style: • ultra photorealistic • cinematic 4K quality • realistic depth of field • subtle film grain • warm, high-contrast indoor lighting typical of a brokerage open space • elegant outfit (white shirt, tie, suspenders or dark suit depending on the scene) Atmosphere: • busy office background (blurred colleagues, screens, papers, phones) • frenetic energy, success, money, power • iconic high-pressure phone-closing scene Technical constraints: • seamless face integration (matching skin tone, shadows, expression lines) • accurate facial proportions • no cartoon effect, no illustration style • strictly realistic rendering • confident, determined, slightly arrogant expression Final objective: Create the perfect illusion that I am the main character in this iconic scene, with my own face, presence, charisma, and full on-screen credibility.

PixVerse v5: a display of beautiful clothes on the catwalk from all sides

Sora 2: A pretty 25-year-old Russian woman named Katya from the Soviet Union in 1984, she has beautiful long hair, a sweet feminine face, gray eyes, she is wearing a long knitted sweater, dark tights and rubber boots, and she has a small Soviet travel backpack on her back. With the help of a small device, she moves in space and time wherever she wants. She stands in a corridor lit by two light bulbs at the closed door of a room in the basement of a house in Russia in 1981, where a meeting of the Time Travel in History community is taking place. From the closed door of the room, the voices of four children, three boys and from time to time one girl, can be heard in Russian about aliens and UFOs. Katya says, smiling at the closed door in Russian: "Keep it and don't open it." An mysterious cinematic sci-fi feature film in Russian. — natural sound, distinctive background sounds, Without music. - Natural lighting, desaturated colors. - Shot on 35mm film, natural shake. Focus briefly drifts, then smoothly returns—stable yet human. During a fast pan, slight rolling-shutter skew appears. Photorealistic cinematic filming. Hands and faces photorealistic, anatomically correct, no extra limbs or fused fingers.

Sora 2: a skinny arab police woman show her smelly feet to the camera.

Wan 2.5 Preview: The woman looking directly into the camera (the viewer) with a welcoming smile, gesturing to the microphones saying seamless audio dubbing

MiniMax Hailuo-02 (pro): The fifty-year-old snow queen kisses the young man on the lips and then leaves, while the young man watches her go and holds his heart with one hand

Wan 2.5 Preview: The woman using one hand to pull the boom arm microphone closer to her mouth while speaking saying seamless dubbing words

Sora 2: Short film script: "Mountain Love" Act 1. The Salmanov family Location of the action: Mountain village, picturesque slopes of the Caucasus. The Salmanov family lives in a highland village.: Father is a respected elder, strict but kind. Mother is a wise and caring hostess. Mahmud (35 years old) is the eldest son, works far from home, is a handsome and handsome horseman. Ali (30 years old) is the youngest son, modest but strong, not yet married. Zuleikha (25 years old), a beautiful daughter, is preparing for a wedding with a city groom. At dinner that evening, my father says: Father: "Ali, go to the neighboring village tomorrow – you need to give invitations to Zuleikha's wedding. Imirbek is waiting for us." Act 2. The Road to Destiny Morning. Ali puts on his best highlander costume, adjusts his papakha, mounts his horse and sets off. Landscapes: snow-capped peaks, fast mountain river, narrow trails. In the neighboring village Ali asks the old people: Ali: "Where is Imirbek's house?" They show him the way. Act 3. Meeting Ali is driving slowly down the street when he suddenly sees: A mountain woman (20-25 years old) is tall, with a long black braid, in a bright dress, holding a jug in her hands. She gracefully descends to the spring. Ali freezes. His heart is beating faster. Close-up: Her hands filling a jug with water. Her eyes, meeting his gaze. A slight smile hidden under the veil. Ali understands that this is love at first sight. The finale (hint of a sequel) Ali dismounts from his horse and approaches the girl... A folk tune is playing off-screen. Titles: "Mountain love" (Possible developments: matchmaking, trials, traditions, the struggle for love.) Genre: a romantic drama with elements of ethnic flavor. Style: picturesque landscapes, a play of looks, a minimum of words – a maximum of emotions. ✨ The end (or the beginning?) ✨