Kling 2.5 Turbo (pro): There is love between a guy and a girl

Kling 2.5 Turbo (pro): The girl sticks out her tongue, saliva drips down, while her hands caress her body

Sora 2: "A couple in a modern bathroom with warm light, brushing teeth together or applying face cream, wearing comfortable cotton clothes, cute and wholesome evening routine, reflection in the mirror, 4k realistic."

Kling 2.5 Turbo (pro): The dog sniffs and licks the screen

Kling 2.5 Turbo (pro): USSR, 1960. First-person view with a flashlight in a hospital hallway at night. I run with the flashlight to the nearest door, behind which is a shower room, to take a look around.

Kling 2.5 Turbo (pro): I, in first person view, run to the nearest scooter to ride it to the fountain

Sora 2: A dog cooks and throws up food

Sora 2: A dog driving a car and having an accident

Sora 2: In the style of Giger, photorealism. A full-length creature, like a female "alien," anthropomorphic with two arms and two legs and a tail resembling a spine ending in a spike. The face resembles a human's. The hair resembles annelids, hanging down like dreadlocks. The skull is human with a very long nape. The face resembles a beautiful woman's face. Oily dreadlocks on the head. The skin is black, textured, smooth and moist, textured, covered with a thin layer of mucus. The body resembles a slender woman's. Mechanical joints with bearings and hydraulics. Black oily mucus flows from the eyes. The eyes are mechanical with many mechanisms, the eyelashes are emphasized. The hands and feet have five fingers like those of primates with large black claws, mechanical joints. Vessels run throughout. The joints are mechanical. It looks at us, stands at full height, looks at us as if we were prey.

PixVerse v5: a graceful display of CLOTHING FROM ALL SIDES

Sora 2: two boys at six years,wearing judo jackets,obis and cropped judo pants,ground fighting,one boy lay on his back,the other boy hold his opponent in grapevine position down

CogVideoX-5B: Here is a screenshot of the configurator used to create the wardrobe. Your task is to bring the wardrobe to life; you need to make it real. It must completely match the shape and color of the one in the picture. First, the camera zooms in on the center of the wardrobe in the picture for 2 seconds and then moves to the real room where the real wardrobe from the picture stands. The wardrobe must be as realistic as possible, and so must the room. Translated with DeepL.com (free version)

Kling 2.5 Turbo (pro): Here is a screenshot of the configurator used to create the wardrobe. Your task is to bring the wardrobe to life; you need to make it real. It must completely match the shape and color of the one in the picture. First, the camera zooms in on the center of the wardrobe in the picture for 2 seconds and then moves to the real room where the real wardrobe from the picture stands. The wardrobe must be as realistic as possible, and so must the room. Translated with DeepL.com (free version)

Kling 2.5 Turbo (pro): The camera doesn't move anywhere, it stays in place. The girl takes a few steps and stops near a red chair. She looks around and turns towards the camera, saying, "Wow, this is a cool apartment."

Kling 2.5 Turbo (pro): Use the uploaded image as the reference. The person must remain exactly the same — face, identity, hairstyle, facial hair, expression, and body proportions must not change at all. The scene takes place outside a building, not indoors. The background should resemble the official exterior entrance of an intelligence agency building (CIA / Mossad / KGB–style). At the entrance, there is a security checkpoint with an X-ray scanning machine, metal detector gate, barriers, and a high-security access point. The person appears to be caught naturally by a CCTV security camera, not posing. The camera angle is slightly top-down, wide-angle with a subtle fish-eye CCTV distortion. The image should be low resolution, slightly blurry, grainy, with visible noise and scan lines. Include on-screen CCTV overlays such as “REC”, a date and time stamp, camera ID (e.g., CAM 02 / CAM 05), and recording indicators. Lighting is cold, harsh, and artificial, like security floodlights. The atmosphere is serious, tense, secretive, and realistic — a raw, cinematic security camera aesthetic, as if the subject was unexpectedly captured during a high-security entry check.