MiniMax: dark nighttime shot in a forrest featuring the silhouettes of 2 men in matching long-sleeve orange prison jumpsuits one a white man with long black greasy hair and the other a bald african american man mid argument, stop, then look up as a spotlight is casted on them from above in a clearing in the middle of a creepy forrest littered with CRT televisions that are placed all around randomly. The blinding spotlight floods the scene with harsh white light, cutting through the swirling dust and faint fog. Both characters crane their necks upward, shielding their eyes with one arm. Their faces are partially obscured by the glare, their outlines sharp against the surrounding darkness. The clearing’s edges fade into black, lit only by faint red emergency strobes and the flickering glow of distant CRT televisions stacked in uneven piles around the perimeter. The static and distorted images on the TVs intermittently wash the scene in ghostly colors, clashing with the cold, clinical beam from above. The chain they’ve been working on lies taut between them, catching the light like a jagged silver slash across the ground.

PixVerse v4.5: dark nighttime shot in a forrest featuring the silhouettes of 2 men in matching long-sleeve orange prison jumpsuits one a white man with long black greasy hair and the other a bald african american man mid argument, stop, then look up as a spotlight is casted on them from above in a clearing in the middle of a creepy forrest littered with CRT televisions that are placed all around randomly. The blinding spotlight floods the scene with harsh white light, cutting through the swirling dust and faint fog. Both characters crane their necks upward, shielding their eyes with one arm. Their faces are partially obscured by the glare, their outlines sharp against the surrounding darkness. The clearing’s edges fade into black, lit only by faint red emergency strobes and the flickering glow of distant CRT televisions stacked in uneven piles around the perimeter. The static and distorted images on the TVs intermittently wash the scene in ghostly colors, clashing with the cold, clinical beam from above. The chain they’ve been working on lies taut between them, catching the light like a jagged silver slash across the ground.

PixVerse v4: Scantily clad females wearing nurse uniforms drive across a desert landscape in a black Jeep Wranglers with big tires while being chased by drones firing missiles.

Kling 2.1 (pro): Cinematic video of a beautiful young Southeast Asian woman, wearing the same floral-patterned abaya (gamis) and stylish black sunglasses as in the reference image, standing inside a luxurious and modern shopping mall, warmly smiling and waving her hand toward the camera, while the camera moves smoothly from left to right, 4k ultra realistic, highly detailed, natural colors and lighting, aspect ratio 9:16 --image reference: [UPLOAD_IMAGE

Kling 1.0 (pro): Two people hug each other, kiss each other deeply, two people touch each other,

Kling 2.1 (pro): A beautiful young Southeast Asian woman, wearing the same floral-patterned abaya (gamis) and stylish black sunglasses as in the reference image, walking casually with a warm smile toward the camera, the camera slowly moving backward to fully show the entire dress, inside a luxurious and modern shopping mall with bright lighting and glossy marble floors, 4k ultra realistic, highly detailed, natural motion, aspect ratio 9:16 --image reference: [UPLOAD_IMAGE]

Kling 1.5 (pro): I want a photorealistic punk band playing a show screaming and being boisterous. The bands name is Slap Maxwell

LTX Video-0.9.7 13B Distilled: A small, blue-furred mouse-like creature with large expressive eyes, wearing a green pointed hat, leafy shorts, and a tiny backpack, walks along a forest path lined with glowing red mushrooms. It holds a warm, glowing lantern that gently lights the way as soft mist drifts between towering mushroom stalks. The background fades into a dreamy blue haze, giving the scene an enchanting, storybook atmosphere. Hyper-detailed 3D animation style with soft depth of field.

Kling 1.6 (standard): A small, blue-furred mouse-like creature with large expressive eyes, wearing a green pointed hat, leafy shorts, and a tiny backpack, walks along a forest path lined with glowing red mushrooms. It holds a warm, glowing lantern that gently lights the way as soft mist drifts between towering mushroom stalks. The background fades into a dreamy blue haze, giving the scene an enchanting, storybook atmosphere. Hyper-detailed 3D animation style with soft depth of field.

Kling 2.1 (pro): Bebe,risas,camara se aleja suavemente en rotacion lenta

LTX Video-0.9.7: dark nighttime shot in a forrest featuring the silhouettes of 2 men in matching long-sleeve orange prison jumpsuits one a white man with long black greasy hair and the other a bald african american man mid argument, stop, then look up as a spotlight is casted on them from above in a clearing in the middle of a creepy forrest littered with CRT televisions that are placed all around randomly. The blinding spotlight floods the scene with harsh white light, cutting through the swirling dust and faint fog. Both characters crane their necks upward, shielding their eyes with one arm. Their faces are partially obscured by the glare, their outlines sharp against the surrounding darkness. The clearing’s edges fade into black, lit only by faint red emergency strobes and the flickering glow of distant CRT televisions stacked in uneven piles around the perimeter. The static and distorted images on the TVs intermittently wash the scene in ghostly colors, clashing with the cold, clinical beam from above. The chain they’ve been working on lies taut between them, catching the light like a jagged silver slash across the ground.

Kling 2.1 (pro): Dj toca suavemente la consola,camara se aleja suavemente en rotacion lenta

Kling 1.6 (pro): dark nighttime shot in a forrest featuring the silhouettes of 2 men in matching long-sleeve orange prison jumpsuits one a white man with long black greasy hair and the other a bald african american man mid argument, stop, then look up as a spotlight is casted on them from above in a clearing in the middle of a creepy forrest littered with CRT televisions that are placed all around randomly. The blinding spotlight floods the scene with harsh white light, cutting through the swirling dust and faint fog. Both characters crane their necks upward, shielding their eyes with one arm. Their faces are partially obscured by the glare, their outlines sharp against the surrounding darkness. The clearing’s edges fade into black, lit only by faint red emergency strobes and the flickering glow of distant CRT televisions stacked in uneven piles around the perimeter. The static and distorted images on the TVs intermittently wash the scene in ghostly colors, clashing with the cold, clinical beam from above. The chain they’ve been working on lies taut between them, catching the light like a jagged silver slash across the ground.

Kling 1.0 (pro): a nighttime POV shot from a helicopter looking down in a wooded forrest clearing spotlight shines onto two men, a bald african american man unlocking a chain from his ankle that is also attached to a caucasian man with long greasy unkept black hair both in matching long sleeve orange prison jumpsuits a chain is between them. The african american man looks up visibly angry and the the caucasian man looks up very happy and cheerful, , lit only by faint red emergency strobes and the flickering glow of distant CRT televisions stacked in uneven piles around the perimeter. The static and distorted images on the TVs intermittently wash the scene in ghostly colors, clashing with the cold, clinical beam from above. The chain they’ve been working on lies taut between them, catching the light like a jagged silver slash across the ground.

CogVideoX-5B: Девушка поправляет волосы