Sora 2: Woman joins her goons while she gets her parents grounded by their own grandparents

Sora 2: a woman at a beach dives under water. when she returns to the surface her body has become enormous and feeled with water, sploshing all around

Wan 2.5 Preview: ULTRA-PHOTOREALISTIC EGYPTIAN RAMADAN FAMILY DRAMA — DIRECT CONTINUATION Continue directly from the previous scene. EXACTLY FOUR PEOPLE ONLY: 1. Older brother 2. Younger brother 3. Their sister Khadija 4. Their mother NO FATHER. NO EXTRA PEOPLE. NO DUPLICATES. NO NEW CHARACTERS. Keep the exact same faces, identities, ages, hairstyles and appearance from the reference images and previous scenes. Never swap, replace or redesign any character. SCENE: Nighttime after Iftar inside a realistic middle-class Egyptian family apartment. The apartment is a normal lived-in Egyptian home with a traditional salon, sofas, carpet, curtains, television, coffee table and simple family decorations. Warm realistic indoor lighting. The three siblings knock on the apartment door. Their mother opens the door. Khadija steps forward FIRST and warmly greets her mother. She tells her mother that she is fine, that she missed her very much, using natural Egyptian Arabic. The mother responds warmly and naturally, telling Khadija that she is fine and that she missed her too. Khadija gives her mother a natural affectionate greeting and moves slightly aside. The older brother then approaches his mother and asks how she is. The mother warmly answers that she is fine and happy that they came. The younger brother then approaches and asks his mother how she is. The mother answers warmly that she is fine. Each person speaks separately. Do not rush the dialogue. Use natural pauses, eye contact, small smiles and realistic Egyptian family reactions. The three siblings enter the apartment with their mother. They sit together naturally in the living room on the Egyptian salon. Do not pose them like a photograph. Use relaxed and realistic seating positions. After a short quiet pause, the mother asks how their day at the farm was. The older brother casually explains that it was a long day and that they had been at the farm since early morning. After a short pause, the younger brother says that thankfully they finished their work. The mother warmly tells them that she hopes God gives them strength. The older brother simply responds that everything is fine, thank God. Then silence. They remain sitting together comfortably. ACTING: Natural Egyptian family chemistry. Subtle smiles. Natural eye contact. Natural blinking. Small realistic hand movements. Relaxed body language. No exaggerated acting. No crying. No shouting. No romance. No theatrical performance. CAMERA: Start with a medium-wide shot of the three siblings standing at the apartment door. Show Khadija greeting the mother first. Then show each brother greeting the mother separately. Follow them naturally into the living room. Use a medium-wide shot clearly showing EXACTLY FOUR PEOPLE sitting together. Use simple natural medium shots during the conversation. Do not rapidly cut between faces. Do not create additional people in the background. REALISM: Ultra-photorealistic Egyptian television drama. Authentic Egyptian apartment. Natural Egyptian faces. Natural skin texture. Natural body movement. Natural facial expressions. Accurate Egyptian Arabic lip synchronization. No face morphing. No identity changes. No duplicate characters. SOUND: NO MUSIC. NO BACKGROUND SCORE. Only natural voices, footsteps, door sounds, quiet apartment ambience and very distant Egyptian Ramadan street and mosque sounds outside. All dialogue must be spoken naturally in Egyptian Arabic. No English speech. LIGHTING: Warm realistic nighttime apartment lighting. Natural shadows. Natural indoor exposure. No artificial glow. No excessive lens flare. IMPORTANT: The father is NOT present. Only the mother and her three children are inside the apartment. Exactly four people. No new characters. No additional dialogue. No subtitles. No text on screen. No logos. No watermark. End with the four family members sitting peacefully together in the living room after Iftar.

Kandinsky 5 Pro: A charming chubby sixty-year-old snow queen with a silver-plated face and short white hairstyle, wearing a white leather hat and white leather trousers tucked into white leather boots with straps. She's wearing a white sweater with a white belt, and she says, "Kiss me goodbye," and kisses me on the lips. In the snow queen's kiss, the young man holds his heart with one hand and the snow queen leaves.

PixVerse v5: The frame features cartoon characters. Two robots, with silly orange hats on their heads and a light bulb at the bottom of their bodies, are holding two anthropomorphic cats in their arms. The first cat character is a male cat in light gray underpants and with a short fringe. The second cat character is a blonde cat in pink underpants. Both cats are tangled with brown ropes, and their mouths are covered with a blue scarf. Robots carry writhing cats to an orange van. The robots throw the cats into an open hatch at the orange end of the car. The hatch's door is at the top. Then the robots close the hatch. Static camera, wide shot.

Sora 2: Lemon gets grounded for no reason by his dad

Wan 2.5 Preview: The boy and girl turn to each other and kissing

Hunyuan Video: Ultra-realistic cinematic aerial drone shot of Rio de Janeiro, Brazil, in the year 2100. The camera slowly flies over Guanabara Bay at golden hour, moving toward the futuristic city. Christ the Redeemer is clearly visible on Corcovado Mountain and Sugarloaf Mountain is recognizable in the background. The city has realistic futuristic skyscrapers covered with vertical gardens and solar panels, autonomous electric cars, futuristic public transportation, flying drones, elevated roads and lush green areas. People walk naturally through the city. The ocean and vegetation move realistically. Plausible futuristic architecture, photorealistic, cinematic lighting, extremely detailed, realistic reflections, high-end science fiction movie quality, smooth slow drone movement, vertical 9:16, no text, no logos, no cartoon, no distorted people.

Hunyuan Video: Ultra-realistic cinematic aerial drone shot of Rio de Janeiro, Brazil, in the year 2100. The camera slowly flies over Guanabara Bay at golden hour, moving toward the futuristic city. Christ the Redeemer is clearly visible on Corcovado Mountain and Sugarloaf Mountain is recognizable in the background. The city has realistic futuristic skyscrapers covered with vertical gardens and solar panels, autonomous electric cars, futuristic public transportation, flying drones, elevated roads and lush green areas. People walk naturally through the city. The ocean and vegetation move realistically. Plausible futuristic architecture, photorealistic, cinematic lighting, extremely detailed, realistic reflections, high-end science fiction movie quality, smooth slow drone movement, vertical 9:16, no text, no logos, no cartoon, no distorted people.

Sora 2: person pours a bucket of water down her head. Preserve the exact original color palette and color grading of the reference image. Keep skin tones natural, soft, subtle, and true to the source image. Maintain the original low-saturation, gentle, realistic colors throughout the video. Do not enhance saturation, vibrancy, contrast, warmth, or skin color intensity. Avoid overly red, orange, pink, or glowing skin. Preserve natural skin texture, soft highlights, gentle shadows, and the original photographic tone. No HDR look, no cinematic color grading, no artificial color enhancement. Color consistency must remain faithful to the reference image throughout the entire video.

Kling 1.0 (standard): A cartoon in the style of anime, about a boy with the head of a dolphin. who is first bullied and then he goes to the rocker and becomes such a jerk and all the shark women are delighted with him, Then they marry a shark and they have a stingray

Seedance 1.5 Pro: Happy Birthday Westeminer (Westeminer's Party Room)

Sora 2: Make a Charlie Brown like intro where at the start it shows all the kids skating and then at the end it says “sponsored by Kroger” and the title of it is “another Charlie Brown Christmas” and it’s in the 1960’s. 30seconds

Sora 2: Make a video of someone that is saying

Sora 2: A dramatic episode from a science fiction feature film in the genre of drama. Close-up a pretty 25-year-old Russian youthful woman named Katya is a time traveler. She has long, disheveled loose brown hair, a pretty face and gray eyes. She is wearing a long grey knitted sweater, dark textured tights and dark green rubber boots and a small Soviet hiking backpack on her back. Katya takes off her backpack and says sadly in Russian: "Mne ochen tyazhelo, Nadyuh." A little wind. High-altitude rocky terrain. The atmosphere of the highlands. Dramatic cinematic lighting in eclectic with natural light. A barely noticeable glare on the lens and a slight chromatic aberration at the edges of the frame. The camera exhibits a natural manual microshake (the "breathing camera" effect) with a slight change in focal length. 24 frames per second, 180 degree shutter angle, realistic motion blur, genuine 35mm organic film grain, no digital clarity. Without music. No ugly face. no old characters. Natural acoustics and accompanying sounds, raw sincere emotions.