Sora 2: Comercial of Lays Chips Friends 1998 VHS Effect 12.06.1998

Sora 2: These alex the boy says " hey dad can't get a breakfast pizza for breakfast?," Alex the boy's dad Mad voice Says " THAT'S IT THERE'S A GIANT PANDA ON CHINA YOU'RE NOT GETTING BREAKFAST PIZZA!!" Alex the boy's grandpa says "you heard father said no more pizza for breakfast. cereal. " Alex the boy says "Okay!!

Kling 2.5 Turbo (pro): The camera zooms out, capturing a beautiful forty‑year‑old curvy woman in full height. We see that the woman is wearing ultra‑thin, provocatively narrow super‑micro bikini suit in metallic blue. It’s as realistic as possible. High level of detail.

CogVideoX-5B: Generate a video of this image wearing a giant dark blue foam cowboy hat and waving to the camera

Wan 2.5 Preview: Create a cinematic vertical 9:16 AI travel video featuring a beautiful young Indian woman visiting Kedarnath, Uttarakhand. Keep the same woman’s face and appearance consistent throughout the video. Scene 1: She stands in front of the Kedarnath temple and surrounding Himalayan mountains, wearing a stylish blue denim outfit, smiling naturally at the camera. Scene 2: Smooth transition to her walking through a scenic mountain location near Kedarnath, with realistic Himalayan scenery, cloudy sky and beautiful greenery. Scene 3: Show her wearing an elegant orange traditional Indian outfit, walking and posing naturally in front of the Kedarnath temple and snow-covered mountains. Add gentle wind movement to her dress and hair. Scene 4: Transition to a stylish black traditional outfit while she walks through the mountain town, smiling and looking around naturally. Scene 5: Show her walking on a beautiful mountain pathway with dramatic Himalayan peaks in the background, wearing a modern black jacket and casual outfit. Use ultra-realistic AI photography, cinematic lighting, realistic skin and hair, natural facial expressions, smooth body movements, realistic clothing physics, detailed Himalayan environment, depth of field, slow camera movement, smooth transitions, travel-vlog aesthetic, high quality, 4K, photorealistic, no distorted face, no extra fingers, no text, no watermark.

Sora 2: Generate a video of this image wearing a giant dark blue foam cowboy hat and waving to the camera

Sora 2: Over a static red background, a black ink stain on a red background with a liquid effect appears by splattering all over the screen. A live-action blue human hand comes in from the left and places a blue piece of paper containing a dark blue-lipped mouth onto the stain, while a blue paper with a pair of round eyes (which seem to wiggle like Jell-O) appear and zoom in above the mouth, forming a bizarre-looking face. The face then says "Splaat, Klasky Csupo" as white blocks with black letters inside fly out from its mouth, which are revealed to be the parts of the Klasky-Csupo logo as they arrange themselves to form it (the parts have also been refined to match the print logo, with the "K" in Futura Bold, "L" in Permian Serif, "a" in Times New Roman, "S" in Futura Book, the second "K" in a zig-zaggy font made possibly to match with the Letraset Process in the first logo, the "Y" and "CSUPO" set in the same font as the first "K"). During the face's screen time, there are holes in the liquid background (which reveal smudges of the static background that emerge from the center and slide off-screen from many other directions). After that, the background and the face disappear like an old CRT television turning off, and the "Y" in "KLaSKY" turns red and flashes faintly. The logo remains on-screen for a few seconds, and then it either fades out or cuts to black.

Sora 2: A Haitian family is sitting together in the living room: the father, the mother, and their son. The child looks at his father and asks in Haitian Creole: «Papa, si yon jou manman ta twonpe w ak yon lòt gason, kisa ou ta fè?» The father stays calm and answers in Haitian Creole: «Mwen ta chèche konprann sa ki pase anvan m pran yon desizyon.» Natural tone, emotional, cinematic. IMPORTANT: All dialogue must be spoken in Haitian Creole (Kreyòl Ayisyen). Do NOT translate the dialogue into English or French. Use natural Haitian Creole pronunciation and realistic Haitian voices.The same Haitian family, wearing the exact same clothes, in the same living room. The child looks at his mother and asks in Haitian Creole: «Manman, si papa ta twonpe w ak yon lòt fi, kisa ou ta fè?» The mother pauses briefly and calmly answers in Haitian Creole: «Mwen t ap blese, men mwen pa t ap kite kòlè fè m pèdi tèt mwen.» IMPORTANT: All dialogue must be spoken in Haitian Creole (Kreyòl Ayisyen). Do NOT translate the dialogue into English or French. Keep the same characters, clothes, location, and visual style as Prompt 1.The same Haitian family in the same living room. The father looks at his son and says in Haitian Creole: «Pitit mwen, nan yon fanmi, lè gen yon pwoblèm, premye bagay se pale ak respè.» The child listens carefully. Warm, natural, emotional atmosphere. IMPORTANT: All dialogue must be spoken in Haitian Creole (Kreyòl Ayisyen). Do NOT translate the dialogue into English or French. Keep the same characters, clothes, location, and cinematic style.The same Haitian family. The mother looks at her son and says in Haitian Creole: «Pitit mwen, trayizon fè moun soufri, men revanj pa janm geri yon kè ki blese. Pi bon bagay se chèche laverite, pale klè epi pran bon desizyon.» Her voice is gentle, serious, and emotional. IMPORTANT: All dialogue must be spoken in Haitian Creole (Kreyòl Ayisyen). Do NOT translate the dialogue into English or French. Keep the same characters, clothes, living room, and cinematic style.The mother looks at her son and gives him the final lesson in Haitian Creole: «Sonje sa: lanmou bezwen konfyans, respè ak verite. Lè konfyans kase, se dyalòg ak bon desizyon ki dwe vini, pa vyolans.» The child nods to show that he understands. IMPORTANT: All dialogue must be spoken in Haitian Creole (Kreyòl Ayisyen). Do NOT translate the dialogue into English or French. Use a gentle, serious, emotional Haitian voice.Final cinematic shot of the entire Haitian family. The child says in Haitian Creole: «Mwen konprann kounye a. Lè gen pwoblèm nan fanmi, fòk nou pale olye nou fè bagay n ap regrèt.» The father and mother look at him affectionately. Emotional ending with a meaningful moral lesson. IMPORTANT: All dialogue must be spoken in Haitian Creole (Kreyòl Ayisyen). Do NOT translate the dialogue into English or French. Keep the same characters, same clothes, same living room, and same visual appearance throughout all scenes.https://www.huge.com/ai-video-generator/108724-a-haitian-family-is-sitting-together-in-the-living-room-the-father-the-mother

Sora 2: @kcsplaat says to british cartoon pig with red dressed called "Jennifer" when @kcsplaat says "you are grounded for 123 years!" when Jennifer says "but." when @kcsplaat says "no buts! You are grounded forever! Go to you room now!!!"

Sora 2: Over a static green background, a black ink stain on a green background with a liquid effect appears by splattering all over the screen. A live-action blue human hand comes in from the left and places a blue piece of paper containing a dark cyan-lipped mouth onto the stain, while a blue paper with a pair of round eyes (which seem to wiggle like Jell-O) appear and zoom in above the mouth, forming a bizarre-looking face. The face then says "Splaat, Klasky Csupo" as white blocks with black letters inside fly out from its mouth, which are revealed to be the parts of the Klasky-Csupo logo as they arrange themselves to form it (the parts have also been refined to match the print logo, with the "K" in Futura Bold, "L" in Permian Serif, "a" in Times New Roman, "S" in Futura Book, the second "K" in a zig-zaggy font made possibly to match with the Letraset Process in the first logo, the "Y" and "CSUPO" set in the same font as the first "K"). During the face's screen time, there are holes in the liquid background (which reveal smudges of the static background that emerge from the center and slide off-screen from many other directions). After that, the background and the face disappear like an old CRT television turning off, and the "Y" in "KLaSKY" turns green and flashes faintly. The logo remains on-screen for a few seconds, and then it either fades out or cuts to black.

Kling 2.5 Turbo (pro): A woman with the left leg amputated up to the lower third of the thigh walks slowly toward the camera on her single right leg and crutches. As she moves, she simultaneously shifts two her crutches forward slightly, placing them close to her sides rather than wide apart, simultaneously leans on crutches handles, and then takes a step with her single leg, the right one. The camera continuously pulls back, showing the woman in full length preserving her perfect right leg. Do not attach a left leg to her.

Kling 2.5 Turbo (pro): Create a short vertical 9:16 cinematic 3D animated video in the style of a cute viral South Asian AI baby video. Show an extremely adorable chubby South Asian toddler, around 2 years old, with big expressive brown eyes, round cheeks, soft black hair, and a cute innocent face. The baby is wearing a simple traditional light-blue shalwar kameez and tiny brown sandals. The baby enters a small colorful traditional Pakistani/Indian mithai shop with his mother. The shop looks authentic and lively, with glass counters full of fresh jalebi, gulab jamun, laddoo, barfi and other colorful sweets. The environment should feel like a real South Asian neighborhood shop, but rendered as beautiful high-quality realistic 3D animation. The baby suddenly notices a huge fresh jalebi on the counter. He stops walking, looks at it with enormous excited eyes, slowly opens his mouth in amazement, and makes an irresistibly cute hungry expression. He points toward the jalebi and looks at his mother as if asking for it. His mother looks at him with a gentle amused smile. Focus heavily on the baby's facial expressions, adorable body movements and comedic timing. Make the baby look extremely cute and expressive, with natural realistic movement. Cinematic close-up when the baby sees the jalebi, followed by a slightly wider shot showing the shop. Warm lighting, vibrant colors, detailed environment, polished high-quality 3D animation, wholesome funny family content, viral social-media video feeling. No text, no subtitles, no watermark, no singing. Keep the baby's appearance consistent throughout the entire clip.

Sora 2: Country:Thailand Strepsils Chesty Cough commercial, Language:Thai🇹🇭 . ​Scene 1 - Facing the problem (Front camera angle): A scene in the dark late at night. Front shot at eye level tilted slightly left, medium shot focused on a beautiful South Korean woman wearing an orange suit jacket. She stands still with her body angled to the left in a normal posture. Suddenly, she feels something grabbing her body: it is a long-haired ghost in a white dress with its face covered, causing 3 symptoms to begin. ​Detailed portrayal of these symptoms: ​Irritation in throat from phlegm: Realistic close-up shot focused closely on her face and neck. She gently touches her neck with her hand, lips slightly parted, looking uncomfortable. ​Thick sticky phlegm: Realistic close-up shot. She brings a loosely clenched fist near her mouth as she realizes thick sticky phlegm is stuck in her throat, her eyebrows furrowed tightly as if trying to clear her throat before coughing. ​Coughing with phlegm: She lowers her head slightly, holding her neck with one hand while coughing due to thick sticky phlegm trapped in her throat. Her facial expression shows discomfort and an immediate urge to cough. ​Cutting: The camera focuses on her from behind or over-the-shoulder shot. She quietly covers her mouth with her hand, her face expressing throat irritation and fear of the invisible force tormenting her with the ghost. ​Scene 3: The same beautiful woman in the orange suit jacket. Cut to the woman holding an orange Strepsils Chesty Cough cough drop box. Front shot close-up showing her hand putting a round, flat orange lozenge into her mouth immediately. ​Scene 4 - Outro: Strepsils Chesty Cough contains Ambroxol 15 mg.

PixVerse v5: Use the uploaded image as the exact first frame and preserve the original wall, 3D Hindi text, lighting, composition, and the man on the right. The camera is locked in a front-facing wide cinematic shot. At first, the wall remains completely still. Suddenly, the center of the wall begins to crack and violently break apart. Large chunks of bricks and concrete fall forward and sideways, with realistic dust, debris, smoke, and small sparks. As the wall collapses, a large yellow JCB excavator slowly emerges from behind the broken wall, driving forward through the opening. The JCB pushes through the remaining rubble with its front bucket, creating a powerful cinematic impact. Dust and debris surround the machine as it comes toward the camera. The JCB then moves fully through the wall, stops in the center, and remains standing prominently in the foreground. Its engine is running, with subtle exhaust smoke and realistic hydraulic movement. The broken wall and the original 3D text remain partially visible around it. Maintain realistic physics, photorealistic textures, dramatic cinematic lighting, volumetric dust, realistic shadows, natural camera motion, and high-detail destruction effects. The transformation should feel like a high-budget Indian crime/news documentary title sequence. Important: Keep the Hindi text and overall visual identity consistent until the wall physically breaks. Do not change the man's appearance or create extra people. No camera angle change, no zoom, no warped text, no distorted JCB.

Kling 2.5 Turbo (pro): A woman with the left leg amputated up to the upper third of the thigh walks slowly toward the camera on her single right leg and crutches. As she moves, she simultaneously shifts two her crutches forward slightly, placing them close to her sides rather than wide apart, simultaneously leans on crutches handles, and then takes a step with her single leg, the right one. The camera continuously pulls back, showing the woman in full length preserving her perfect right leg. Do not attach a left leg to this woman. Her colleagues—a man in a plaid shirt, a woman in a white trouser suit, a woman in a leopard-print dress, a woman in an orange trouser suit, and a woman in a red blouse and black trousers—follow her at a leisurely pace, a short distance behind