Sora 2: A pretty twenty-five-year-old young Russian woman with a beautiful physique is sitting on a single bed in a mysterious room with no windows or doors. The woman has gray eyes, long blonde hair tied back in a ponytail. She is wearing turquoise colored clothes, a T-shirt, sweatpants and sneakers. The walls in the room are turquoise. dim light. She doesn't know who she is or what she's doing here. an extreme close-up shot of her eyes, showing her anxious mood. The background is blurry out of focus a video camera bulb is dimly lit in the corner of the room, next to which there is one old speaker. A hissing and nasal male voice in Russian comes from the speaker: "If you want to come out , answer the question , ' Who are you ? ' " Cinematic style, a mysterious sci-fi cinematic film in Russian. filming 35mm film, natural grain, organic texture. - the breathing of young woman, Without music. - No text overlays, watermarks, or UI graphics. Hands and faces stay photoreal with clean proportions. Without subtitles. Without video gaming graphics. No flickering, tearing, digital glitches, or inconsistent lighting. No real or fake brand identifiers.

Sora 2: A pretty twenty-five-year-old young Russian woman with a beautiful physique is sitting on a single bed in a mysterious room with no windows or doors. The woman has gray eyes, long blonde hair tied back in a ponytail. She is wearing turquoise colored clothes , a T-shirt, sweatpants and sneakers. The walls in the room are turquoise. dim light. She doesn't know her name, who she is , or what she's doing here . The woman says uncertainly in Russian: " Door, exit, damn ... But where to ? " extreme close up view of her face. Cinematic style , a mysterious sci-fi cinematic film in Russian . filming 35mm film , natural grain , organic texture . - the breathing of young woman. Without music. - No text overlays, watermarks, or UI graphics. Hands and faces stay photoreal with clean proportions. Without subtitles. Without video gaming graphics. No flickering, tearing, digital glitches, or inconsistent lighting. No real or fake brand identifiers.

Sora 2: A single, unbroken, first-person shot in a highly realistic, documentary style. The scene begins in the middle of a vast, empty field of tall, wild grass under a dramatic summer sunset sky. The camera is at human eye level, moving forward with a slow, steady, and weary walking pace. The only sound in mind is the wind and distant ambient noise. **Part 1: The Field (Seconds 0-8).** We are surrounded only by grass swaying in the wind, stretching to the horizon. The light is low and golden, casting long shadows. In the very far distance, almost blending with the dusk, are the silent, monolithic silhouettes of several soviet-era panel buildings. They are small, blurry, and abstract. **Part 2: The Approach (Seconds 8-18).** The camera’s slow walk continues unwavering. The buildings on the horizon gradually grow larger and clearer, but details remain muted. A faint, overgrown dirt path may appear underfoot. The field begins to feel less infinite, more like a buffer zone. The mood shifts from open isolation to targeted melancholy. **Part 3: The Arrival (Seconds 18-30).** The walk ends as the camera reaches the edge of the field, now standing before the first buildings. They are not grand or cinematic, but ordinary, slightly dilapidated: stained concrete, uneven balconies, a mix of old windows. The camera slowly tilts up, following the line of the facade against the now purple twilight sky, then comes to a rest. No people are seen. The feeling is of reaching a destination that offers no solace, only a different kind of emptiness. **Visual Style:** Raw and authentic, not glossy. Shot on a handheld camera or realistic drone simulating a walk, with natural motion blur and slight breathing. Color palette: deep sunset oranges and pinks, darkening to purples; the grass is a desaturated green/gray; buildings are in cool, concrete grays and blues. The lighting is natural, with high contrast between the bright sky and the darkening ground. **Technical:** Seamless continuous shot, 30 seconds, 24 fps. Aspect ratio 9:16 for vertical or 16:9 for widescreen. The focus pull is subtle, shifting from the grass to the buildings.

Sora 2: A man from Belarus who is about 50-60 years old. In the park, with a prosthetic instead of a left arm and right arm. He's sitting on a bench with a park behind him (and he's in the park). He looks at the camera and smiles. The camera moves from right to left. without tatoos, white hair. look old. he wears a normal white shirt and normal pants.

PixVerse v5: Make this image in motion

Kling 2.5 Turbo (pro): Shoes Off And Socks Off And Footsie

Kling 2.5 Turbo (pro): Shoes Off And Socks Off And Footsie

Sora 2: A pseudo-documentary of the television format of the 90s, where the psychic Vitaly conducts a session of communication with spirits in the autumn forest. Possessed by a dark spirit, he levitates in the airs, creeching and twitches while high above the forest. You can't see it anymore, but he's wearing a completely dirty gray coat and a completely dirty white sweater, his face is covered in dirt, and he's completely covered in dirt. The camera captures screeching Vitaly silhouette levitating high above the forest , which is already difficult to distinguish . This is an episode from a TV feature film in Russian. It was shot in the style of the documentary video chronicle "The Secret of Svetloleninsk". An old portable VHS video camera, vibrating. Shot on 35mm film, natural grain, organic texture. a dramatic, sad mood. — Home video on VHS. — Natural sound, characteristic background sounds. Without music. — No text, subtitles, watermarks, logos or graphical interface. Hands and faces are photorealistic, anatomically correct, without extra limbs or fused fingers. No flickering, tearing, digital glitches, or fickle lighting. No genuine or fake brand names.

Hunyuan Video v1.5: Leo washes the car

Sora 2: A pseudo-documentary of the television format of the 90s, where the psychic Vitaly conducts a session of communication with spirits in the autumn forest. He's wearing a gray coat and a white sweater. He levitates in the air and twitches over a muddy hole in the forest. His face is covered in mud. He rolled his eyes as if he were crying and laughing at the same time, speaking emotionally in Russian in a low growling sepulchral voice: " Na pasashok ! " - at the end of the session , he rises higher and higher , and screams like a woman. This is an episode from a TV feature film in Russian. It was shot in the style of the documentary video chronicle "The Secret of Svetloleninsk". An old portable VHS video camera, vibrating. Shot on 35mm film, natural grain, organic texture. a dramatic, sad mood. — Home video on VHS. — Natural sound, characteristic background sounds. Without music. — No text, subtitles, watermarks, logos or graphical interface. Hands and faces are photorealistic, anatomically correct, without extra limbs or fused fingers. No flickering, rips, digital glitches, or fickle lighting. No genuine or fake brand names.

Sora 2: a man looks straight then to the left then to the right, and there's only a 10-second interval

Kling 2.5 Turbo (pro): Women start fencing with sticks

Kling 1.0 (standard): Turning the head, blinking eyes, smiling.

Kling 2.5 Turbo (pro): A woman appears happy while promoting the hijab she is wearing while talking.

Kling 2.5 Turbo (pro): A woman appears happy while promoting the hijab she is wearing while talking.