Home
Discover
Premiums
Generate AI Video
Contest
Upload
Profile
Prefs
Theme
Top Accounts
Top Videos
English
About
Feedback
Support
T&C
Privacy
DMCA
© 2026 HUGE.com
Filters
Sign Up
Log In
AI Video Generator
Browse AI Generated Videos
Videos
all
by ai model
AI Models
Kling 2.5 Turbo (pro):
A flash of light and Charlie Chaplin emerges from the screen into the cinema hall to the audience.
Seedance 1.0 Lite:
A handsome mature man (age 40), leaning slightly forward with a calm, focused gaze into the camera as if fully captivated by a woman. His eyes soften, holding steady eye contact for a few seconds, then gently blink as his head tilts slightly to the side in quiet admiration. A subtle closed-mouth smile forms slowly. No talking, very minimal motion, realistic style, soft shadows, cinematic lighting, no fast movements, no cartoon style, no over-smiling, no teeth showing
Sora 2:
In the style of the 80s, old, slightly damaged footage, USSR, 80s, snowy winter, morning, science city of Svetloleninsk, territory of the Scientific Research Institute named after Alexander Petrovich Eremin. An earthquake of magnitude 4.0. The camera visibly shakes during an earthquake, creating the appearance of an earthquake. The Black Volga rushes at full speed across the vast territory of the institute. In the back seat of a black Volga sits mathematician and inventor Viktor Ivanovich Kunitsyn, a well-read, kind man of 40 years old in a dark coat, jacket, white shirt with black tie, black pants. Viktor Ivanovich is calm and reassures the worried driver, Semyon, by giving him a friendly pat on the shoulder from the back seat. The 30-year-old driver, Semyon, with a gorgeous hussar mustache, knows Viktor Ivanovich well, treats him with great respect and often understands him, as in this case, without words. Semyon is wearing a worn leather cap, a knitted gray sweater, and pants. The old sound of the 80s. A dynamic episode of the Soviet science fiction pseudo-documentary film in the genre of "Found Footage" in Russian. - No text overlays, watermarks, or UI graphics. Hands, legs and faces photorealistic, anatomically correct, no extra limbs or fused fingers. No flickering, tearing, digital glitches, or inconsistent lighting.
Sora 2:
the body remains as large and visually dominant as in the original image
Sora 2:
Prompt for Sora 2: 4‑Second Car Chase Scene (Black vs. White Rolls‑Royce Phantom) Overall Description A high‑stakes, 4‑second cinematic chase scene in photorealistic style. A black 2008 Rolls‑Royce Phantom Coupe aggressively pursues and attempts to stop a white 2008 Rolls‑Royce Phantom on a highway. The scene ends open‑ended — the chase continues. Emphasize the visual and emotional contrast: sleek, cold determination of the brunette driver (black car) vs. fierce, focused resolve of the blonde driver (white car). Highlight the prestige of the Rolls‑Royce brand through detailed shots of the “Spirit of Ecstasy”, grille, chrome, and luxurious interiors. Duration: 4 seconds Aspect Ratio: 16:9 Resolution: 4K Style: Cinematic, photorealistic, high contrast Mood: Intense, suspenseful, prestige Scene Breakdown (Shot‑by‑Shot) Shot 1 (0.8 sec) — Wide Side Tracking Shot Visuals: A wide side view of the highway. The black Rolls‑Royce rapidly closes in on the white one. Capture the iconic “Spirit of Ecstasy” hood ornament, the imposing grille, and gleaming chrome details of the black car. Composition: Camera tracks alongside the cars, slightly low angle. Use a subtle camera shake to convey high speed. Color: High contrast — deep, glossy black vs. dazzling, pristine white. Cool blue‑gray tones dominate the black car; warm beige‑golden tones on the white car. Slightly darkened shadows, increased saturation. Shot 2 (1.2 sec) — Split Screen Impact Left Side (0.3 sec slow‑mo): Close‑up rear view of the impact. The black car rams the rear bumper of the white car. Show a slight skid of the white car, with a puff of smoke/dust from the tires. No visible damage to the cars. Right Side: Split screen to the interior of the white car. A young blonde woman with strong features. Her expression shifts from initial fear to fierce determination: eyes widen, then focus sharply; lips tighten. She grips the wheel tightly and corrects the car’s trajectory. Showcase the luxurious white leather interior. Shot 3 (1.0 sec) — Interior of Black Car Visuals: Dynamic transition (quick cut or whip pan) into the interior of the black Rolls‑Royce. A brunette woman with dark hair in a sleek ponytail, wearing a black leather jacket. She has a stern, focused expression with a slight, cold smirk. Her hands are firmly on the wheel, gaze locked ahead. Details: Highlight the dark, sophisticated interior of the black car (black leather, wood trim). Final Frame (0.3 sec) — Close‑Up Grille Visuals: Close‑up of the black Rolls‑Royce’s iconic grille and front emblem as both cars race on. The black car remains close behind the white one, maintaining pursuit. Effect: Abrupt cut to black on the final frame. Sound Design (Synchronized with Visuals) 0–4 sec: Constant, deep, powerful Rolls‑Royce engine roar as a background layer. ~1.8–2.0 sec (during impact): A sharp, metallic thud (0.2 sec) as the black car hits the white car’s bumper. ~1.9–2.2 sec (overlapping impact): Tire screech (0.3 sec) as the white car corrects its path. 4.0 sec (on final frame/cut to black): A short, sharp horn honk or a dramatic musical accent (like a single orchestral hit) to punctuate the abrupt ending. Key Focus Points Character Contrast: Cold, calculated aggression (brunette) vs. resilient determination (blonde). Prestige: Showcase Rolls‑Royce details: “Spirit of Ecstasy,” grille design, chrome, luxurious interiors. Action: The black car’s goal is to stop the white car via ramming/blocking. Open Ending: The chase is not resolved; both cars continue racing. Negative Prompt (Do NOT Include) Car damage or deformation. Cars coming to a stop. Other vehicles or obstacles on the road. Cartoonish, stylized, or animated visuals. Blurry faces or indistinct character features. Unrealistic physics (flying cars, exaggerated skids). Nighttime, rain, fog, or any bad weather conditions.
LTX-2 Pro:
SpongeBob with a popcorn bucket of popcorn and Patrick with a bottle of soda are watching Celebrity Bowling on TV tonight. SpongeBob says “Look at that Celebrity Bowling.” Patrick says “That's awesome watching a game on TV.”
Kling 2.5 Turbo (pro):
She stands up, turns around, and confidently shows off her back
Wan 2.5 Preview:
The patient takes short laboured breaths into the mask, he moves his wrists ever so slightly against the restraints, the doctor softly rubs the patients head and whispers "shhhh" to the patient. The patient is uncomfortable in his restraints
Seedance 1.5 Pro:
The cashier counter in a small Chinese restaurant. The woman working behind the counter is in her mid-20s, is Chinese, pretty, and has a petite, trim figure. She is wearing black slacks and a clingy black t-shirt, and black-rimmed glasses. She is bloated and gassy and is burping. She looks uncomfortable. Her stomach is pressing outward somewhat into her slacks and shirt making her look bloated. Between burps she says "I'm not usually this bloated" and looks uncomfortable.
Sora 2:
an extremely chaotic ytp-styled video featuring a talking cardboard-looking face with realistic eyes and a realistic mouth with white teeth wearing a bowtie in a plain indigo background. the visuals are very chaotic, ultra mega eplectic, super flashy, and extremely fast-paced
Sora 2:
a filipino commercial about a product named "Super Sour Splaat Snacks" featuring a talking cardboard-looking face with realistic eyes and a realistic mouth with purple-ish teeth on an ink splat in a plain pink background. the product on the left is a still image with no animation
Wan 2.5 Preview:
Motivational story
Wan 2.5 Preview:
the girl sings the song, the camera moves to the right so we see her from the front
LTX-2 Pro:
Patrick Gets grounded for watching natural hospital Birth.But Spongebob
LTX-2 Pro:
Patrick Gets grounded for watching natural hospital Birth Patrick Says "But spongebob, I did do anything"
«
413
414
415
416
417
»
You need to enable JavaScript.