Kling 2.1 (standard): French kiss

Kling 2.5 Turbo (pro): He walks away from the table and bends down to pick up a napkin

Kling 2.5 Turbo (pro): The girl turns sharply and hugs the guy around the neck. The guy lifts her, wraps his arms around her waist, and spins her around.

Kling 2.5 Turbo (pro): Belly dancing, eyes always directed at the camera, hands down. Video on the background of a green chromakey. meticulous craftsmanship in every pixel

Kling 2.5 Turbo (pro): dancing to the rhythm of a light gait

Sora 2: Katya is filming an Old VHS camcorder handheld camera, from behind her friend, a young Russian woman named Alina, who is filthy and unrecognizable, with her long, dirty hair tangled and pulled back in a sloppy ponytail. She is breathing heavily and appears anxious. In the background, a giant, thin, dark anthropomorphic monster is punching its fists against an invisible force barrier, but to no avail. The giant anthropomorphic monster's low-pitched roar and the sound of its fists hitting the barrier are terrifying. In the foreground, the rapid breathing of the two women and Alina's quiet, feminine voice in Russian: "He's all around the city." Ruins of an old Soviet building, gray sky, black smoke, dust. Old VHS camcorder handheld, wobble. Shot on 35mm film, natural grain, organic texture. scary, tense mood. Found footage horror. Only characteristic background sounds and ominous special effects. Without music.

Kling 2.5 Turbo (pro): The girl turns sharply and hugs the guy around the neck. She presses her head against him.

Sora 2: March 8, 1584. Dark, dimly lit rooms of the Moscow Kremlin. In the semi—darkness, pierced by the trembling light of wax candles and the reflections of burning coals in the stove, Tsar Ivan Vasilyevich IV, nicknamed the Terrible, lies on a high bed - a man whose features once embodied imperious beauty, but now ruthlessly scarred by time and hardship. He is 53 years old, but he looks much older. His face is haggard, covered with deep wrinkles, especially noticeable in uneven light. The king's chambers are a gloomy, enclosed space: The lighting is sparse: candles in silver sconces barely dispel the darkness, casting long, swaying shadows on the carved oak panels of the walls. The air is heavy, saturated with the smell of wax, incense and medicines. Somewhere in the corner, an incense burner with herbs is smoking, designed to ease the emperor's breathing. A pretty 25-year-old Russian woman named Katya, a time traveler, appears from a dark corner. She has beautiful long hair, a sweet feminine face, gray eyes, she is wearing a long knitted sweater, dark tights and rubber boots, and she has a small Soviet gray travel backpack on her back. The tsar's deep, authoritative, but already tired voice, with a gentleness and warmth not typical of his manners, sadly says in Old Russian:"Oh, Katyusha..." Tsar Ivan Vasilyevich had tears in his eyes, he smiled affectionately at Katya, and they hugged like old friends. Historical documentary style. Old VHS camcorder handheld, wobble. Shot on 35mm film, natural grain, organic texture. Dramatic sentimental mood. Found footage horror. Only characteristic medieval background sounds. Without music.

Kling 2.5 Turbo (pro): Use the attached image as the primary and authoritative visual reference for dojo environment, gi fit, body proportions, realism, and identity. IDENTITY RULES (CRITICAL) THIS PERSON IS ME — the blue belt in the reference image My face is a locked reference. Keep my exact face identity at all times. No face change, no beautification, no smoothing, no reinterpretation. No blending with other faces. Treat my face as fixed geometry across all frames. Keanu Reeves must be exactly recognizable as Keanu Reeves. Tom Hardy must be exactly recognizable as Tom Hardy. Do NOT substitute, replace, approximate, or swap any named person. No look-alikes. No generic actors. If a named person cannot be rendered accurately, keep them visible with reduced motion — never replace them. SCENE SETTING Traditional Brazilian Jiu-Jitsu dojo Tatami mats Natural indoor lighting Realistic training atmosphere Documentary realism, no stylization ACTION FLOW (FAST, CONTINUOUS, NO CUTS) All three of us are visible in frame at all times. I (blue belt) am immediately engaged in sparring with Keanu Reeves (white belt). Both Keanu Reeves and I wear white BJJ gis, realistic belts. Action: Instant grip engagement → quick off-balance → clean, efficient takedown of Keanu Reeves (white belt). Keanu lands safely and controlled and remains seated or kneeling on the mat, clearly visible, passive. Camera follows the throw and performs a short lateral pan, maintaining all three subjects in frame. Tom Hardy (purple belt) steps into the active space from the side. His face is clearly visible and recognizable before engagement. Keanu Reeves remains visible in the background, watching calmly, not engaging. Action: I (blue belt) engage only with Tom Hardy (purple belt) in fast hand fighting and clinch pressure. Short, sharp, realistic movements. No throws. Keanu remains visible but passive. CAMERA & MOTION CONSTRAINTS Camera stays close, dynamic, lightly handheld No selfie angles No slow motion No cinematic exaggeration No dramatic close-ups Faces remain readable but not dominant PHYSICS & CONSISTENCY RULES Realistic BJJ balance and timing Only one active interaction at a time No morphing No blending No identity drift No role confusion OUTPUT STYLE Ultra-realistic High-energy dojo documentary footage Natural color grading No filters No stylization

Kling 2.5 Turbo (pro): French kiss

Sora 2: Joyful, playful scene outside Santa's cozy wooden workshop at night under a bright full moon and swirling green aurora. Three small, friendly wooden elf-like creatures with big expressive eyes, pointed ears, and colorful hats are having a delightful time playing in the deep fresh snow. One in a green hat with red trim is tumbling happily off a low wooden fence, arms flailing with a big smile, kicking up fluffy snow clouds. Another in a red Santa hat and belt is mid-leap over the same fence, laughing with pure delight, mittens raised high. The third in a blue snowy hat and apron is dashing forward to catch his friend, arms outstretched, snow spraying everywhere in gentle arcs. The workshop glows warmly behind them with icicles hanging from the eaves and golden light spilling from the windows. Snow falls softly, blanketing the ground. The camera moves in a smooth, lively arc around the trio, capturing their cheerful mischief and boundless energy. Ultra-detailed, whimsical holiday animation style, warm moonlight and lantern glow, no music or voices, only gentle ambient sound effects: soft snow crunching, light laughter-like giggles (muted and joyful), gentle whooshing of snow being kicked up, and faint wind through the trees. No music no voice

Kling 2.5 Turbo (pro): Use the attached image as the primary visual reference for dojo environment, gi fit, body proportions, and realism. THIS PERSON IS ME(the blue belt in the reference image) keep my exact face identity no face change, no beautification, no AI smoothing Scene setting: traditional Brazilian Jiu-Jitsu dojo, tatami mats, natural indoor lighting, realistic training atmosphere. ACTION FLOW (FAST, CONTINUOUS) I am immediately engaged in sparring with Keanu Reeves. All three of us are visible in frame. Both Keanu Reeves and I wear white BJJ gis, realistic belts. Keanu is technical and composed. Action: Instant grip engagement → quick off-balance → clean, efficient takedown of the white belt. Keanu lands safely and controlled and remains visible, seated or kneeling on the mat nearby. Camera follows the throw and performs a short lateral pan, keeping all three subjects in frame. Tom Hardy(purple belt) enters the active space from the side, clearly visible. Tom Hardy wears a purple belt (accurate rank). Keanu(white belt) stays in the background, watching calmly, not engaging. Action: I(blue belt) immediately engage only with Tom Hardy in fast hand fighting and clinch pressure. Short, sharp, realistic movements — no throws. Keanu remains visible but passive. Camera stays close and dynamic, framing all three without cuts, emphasizing speed and realism. VISUAL & TECHNICAL RULES • All three remain visible at all times • Only one active interaction at a time • Fast pacing, no pauses • No selfie angles • No slow motion • No cinematic exaggeration • Realistic BJJ physics • No morphing or blending • Facial identities locked and consistent OUTPUT STYLE Ultra-realistic High-energy dojo documentary footage Natural color grading, no filters

Sora 2: 15-20 second vertical YouTube Shorts (9:16, 1080p, 5 distinct scenes). "3 AI Tools to Make $50/Day - No Skills Needed". Fast-paced motivational style: neon green/gold text on black, money animations, charts, upbeat electronic music. Scene 1 (0-4s): Hook - "Earn $50/DAY ZERO skills? 3 FREE AI tools!" exploding text + cash rain. Scene 2 (4-8s): "Tool 1: ChatGPT - Write & sell articles on Fiverr $20/hr" + typing animation + $50 chart. Scene 3 (8-12s): "Tool 2: Midjourney - AI art for Etsy $30/day passive" + art generation + sales graph up. Scene 4 (12-16s): "Tool 3: ElevenLabs - Voiceovers $25/gig no mic" + voice waveform + money stack. Scene 5 (16-20s): CTA "Start FREE now! Link in bio. Subscribe AI Money Hacks!" + subscribe button animation. Energetic US male voiceover, bold text overlays every scene, smooth transitions. #AISideHustle

Sora 2: March 8, 1584. Dark, dimly lit rooms of the Moscow Kremlin. In the semi—darkness, pierced by the trembling light of wax candles and the reflections of burning coals in the stove, Tsar Ivan Vasilyevich IV, nicknamed the Terrible, lies on a high bed - a man whose features once embodied imperious beauty, but now ruthlessly scarred by time and hardship. He is 53 years old, but he looks much older. His face is haggard, covered with deep wrinkles, especially noticeable in uneven light. The king's chambers are a gloomy, enclosed space: The lighting is sparse: candles in silver sconces barely dispel the darkness, casting long, swaying shadows on the carved oak panels of the walls. The air is heavy, saturated with the smell of wax, incense and medicines. Somewhere in the corner, an incense burner with herbs is smoking, designed to ease the emperor's breathing. A pretty 25-year-old Russian woman named Katya, a time traveler, appears from a dark corner. She has beautiful long hair, a sweet feminine face, gray eyes, she is wearing a long knitted sweater, dark tights and rubber boots, and she has a small Soviet gray travel backpack on her back. Katya modestly says:"Glad to see you, Ivan Vasilyevich." Historical documentary style. Old VHS camcorder handheld, wobble. Shot on 35mm film, natural grain, organic texture. Dramatic, tense mood. Found footage horror. Only characteristic medieval background sounds. Without music.

Kling 2.5 Turbo (pro): A cinematic, black-and-white video sequence, stylized like a graphic novel or engraving. The scene unfolds in an endless, cyclical circle of an abandoned concrete passageway or dungeon. A dynamic, almost chaotic "dance" of shadows and silhouettes, symbolizing lead and knives, flickers in the light of a single broken lantern. The camera makes a nervous, trembling tracking shot along these passages, which themselves seem alive—a "legless curse." Distorted, aggressive faces, gestures of despair and violence ("garbage courage") flicker across the frame. Jagged cuts, high contrast, film grain. A tense, hopeless, and brutal rhythm, emphasized by a dark, oppressive sound design.