Sora 2: Animate gentle steam drifting downward — soft, smooth motion, slightly swirling and slowly settling in the air. The steam should look natural and semi-transparent, with subtle light diffusion. Keep the background and all other objects completely still.

Wan 2.5 Preview: The dog sings and starts dancing

Sora 2: Juicy blackberries, close-up, against a dark background, high detail, slowly flying from right to left, shimmering light

Kling 2.5 Turbo (pro): Ultra-realistic 12K cinematic scene in a vast desert wilderness at golden hour. A young man runs terrified through sand and dust, stumbling, pursued by a red humanoid devil with glowing eyes, sharp features, and menacing expression. The devil lunges, laughing, as wind and dust swirl violently. Just as it reaches him, Jesus Christ appears in a flowing pure white robe, calm, authoritative, and compassionate. He steps forward and slaps the devil, who recoils violently, scrambling and retreating until disappearing into the distance. The young man collapses into Jesus’ arms. Jesus looks down and says, “Do not worry. I am protecting you.” Silence falls. The camera slowly pulls back in one continuous shot, rising above the desert and then into the atmosphere, revealing the curvature of the Earth. Millions of people across nations kneel and bow in reverence, lifting hands toward heaven. Sunlight illuminates clouds and oceans naturally. Wind calms. Cinematic HDR lighting, ultra-realistic skin, fabric physics, flowing robes, dust particles. Epic, grounded, reverent, awe-inspiring, with immersive sound and dynamic natural physics. Fade to black.

Sora 2: Ultra-realistic 12K cinematic scene in a vast desert wilderness at golden hour. A young man runs terrified through sand and dust, stumbling, pursued by a red humanoid devil with glowing eyes, sharp features, and menacing expression. The devil lunges, laughing, as wind and dust swirl violently. Just as it reaches him, Jesus Christ appears in a flowing pure white robe, calm, authoritative, and compassionate. He steps forward and slaps the devil, who recoils violently, scrambling and retreating until disappearing into the distance. The young man collapses into Jesus’ arms. Jesus looks down and says, “Do not worry. I am protecting you.” Silence falls. The camera slowly pulls back in one continuous shot, rising above the desert and then into the atmosphere, revealing the curvature of the Earth. Millions of people across nations kneel and bow in reverence, lifting hands toward heaven. Sunlight illuminates clouds and oceans naturally. Wind calms. Cinematic HDR lighting, ultra-realistic skin, fabric physics, flowing robes, dust particles. Epic, grounded, reverent, awe-inspiring, with immersive sound and dynamic natural physics. Fade to black.

Sora 2: Industrial logistics sequence at a ready-mix concrete plant: bulk cement tanker truck delivering cement to silos (pneumatic system), batching plant mixing cement with aggregates and admixtures, concrete mixer truck departing with freshly mixed concrete. All vehicles unbranded, no logos, no text visible. Ultra-realistic construction industry footage, sharp focus, industrial atmosphere, high detail materials, natural lighting.

Seedance 1.5 Pro: Create a 30-second cinematic music video. Main character: the white guy from my uploaded photo, realistic, detailed, natural skin and face, age and look exactly like in the photo. Setting: old Brooklyn street in the evening, lots of rappers hanging around, some play basketball on a worn-out street court, others ride skateboards, walls covered in colorful graffiti, tall shabby brick buildings all around. Atmosphere: gritty, urban, a bit nostalgic, warm evening light mixed with street lamps and neon signs, light smoke and city haze in the background. Action: my main character stands in the center of the frame and performs a rap verse to the camera, confident and energetic, using expressive hand gestures and body movement. Other rappers react in the background, some nod to the beat, some play basketball, some skate past the camera. Camera: mix of medium shots and slow dynamic moves, slight handheld feeling, occasional close-ups on his face while rapping, a few wide shots to show the whole Brooklyn street and the graffiti walls. Audio – voice: male voice, English, confident street-rap delivery, clear and rhythmic, lip-sync perfectly to the performance, original rap lines inspired by a famous rap track but without copying exact copyrighted lyrics. Audio – music: classic old-school East Coast hip-hop beat, heavy bass, punchy drums, subtle vinyl crackle, looped across the full 30 seconds. Duration: 30 seconds. Quality: 4K, smooth motion, no glitches or distorted faces, cinematic color grading in warm-orange and deep-blue tones.

Kling 2.5 Turbo (pro): Create a 30-second cinematic music video. Main character: the white guy from my uploaded photo, realistic, detailed, natural skin and face, age and look exactly like in the photo. Setting: old Brooklyn street in the evening, lots of rappers hanging around, some play basketball on a worn-out street court, others ride skateboards, walls covered in colorful graffiti, tall shabby brick buildings all around. Atmosphere: gritty, urban, a bit nostalgic, warm evening light mixed with street lamps and neon signs, light smoke and city haze in the background. Action: my main character stands in the center of the frame and performs a rap verse to the camera, confident and energetic, using expressive hand gestures and body movement. Other rappers react in the background, some nod to the beat, some play basketball, some skate past the camera. Camera: mix of medium shots and slow dynamic moves, slight handheld feeling, occasional close-ups on his face while rapping, a few wide shots to show the whole Brooklyn street and the graffiti walls. Audio – voice: male voice, English, confident street-rap delivery, clear and rhythmic, lip-sync perfectly to the performance, original rap lines inspired by a famous rap track but without copying exact copyrighted lyrics. Audio – music: classic old-school East Coast hip-hop beat, heavy bass, punchy drums, subtle vinyl crackle, looped across the full 30 seconds. Duration: 30 seconds. Quality: 4K, smooth motion, no glitches or distorted faces, cinematic color grading in warm-orange and deep-blue tones.

Sora 2: Create a realistic video of a couple, a man and a woman aged 45+, speaking in Ukranian. They are sitting together and expressing their gratitude to a dating platform for helping them find each other. They mention that it did not happen quickly, but the result was meaningful and high-quality. The scene should feel warm, genuine, and heartfelt, capturing their emotions. Include natural gestures, smiles, and eye contact. The background should be cozy and welcoming, such as a living room or a café. Video length: 15–20 seconds.

Sora 2: the eye blinks and glows, transferring the color from one side to the other

Sora 2: A wonderful day was dawning in the Valley of the Smeshariki. Ezhik, with a ticket in his little paw and anticipation in his heart, was heading to the cinema. Today they were showing a new film about butterflies, and Ezhik was absolutely impatient. He carefully walked along the path, pondering what flavor the popcorn would be today. But suddenly, right in the middle of the path, sprawling out to its full scaly length, appeared… a huge crocodile! It was so big that it blocked the entire path to the cinema, and its eyes gleamed with an evil green light. Ezhik froze, his ticket falling from his paw. — U-um, excuse me, please, — he began timidly, — could you please move aside? I’m really in a hurry for the film… The crocodile merely blinked slowly, opening its mouth full of sharp teeth, and a low, guttural growl escaped from it. Realizing that politeness wouldn’t help here, Ezhik, in a trembling voice, grabbed his phone and dialed the only number that could help in such a situation: — Krosh! Urgently! There’s a crocodile here! A huge one! It’s not letting me into the cinema! A second later, Krosh came rushing over with a thunderous noise and a cloud of dust, cheerful and energetic as always. — Who’s not letting my friend into the cinema?! — Krosh shouted, seeing the crocodile. — Hey you, toothy one! Move aside, now! He ran up to the crocodile, started jumping around, and laughed so loudly and infectiously out of his own fearlessness that… the crocodile began to tremble. First with a slight shiver, then more intensely. Its scales began to shimmer strangely in all the colors of the rainbow, its eyes bulged out, and with a deafening BANG! it simply disappeared, leaving behind only a small crater and a faint smell of caramel. Ezhik and Krosh looked at each other in bewilderment, then at the crater. — Now that’s what I call the power of positivity! — Krosh declared proudly. — Though we won’t make it to the cinema now. Maybe we should go see Kopatych? He promised some pancakes, I think. Slightly stunned but happy, the friends headed to Kopatych’s place. The bear met them at his den, smiling broadly. — Ah, dear guests! Come in, come in! I just put the kettle on! Ezhik and Krosh went inside. Kopatych was always so hospitable and good-natured. But as soon as he turned to the samovar… Kopatych’s back began to swell, his fur stood on end, his eyes filled with red light, and a low, unhuman growl escaped from his mouth. He slowly turned around, and what looked at the friends was no longer the kind face of Kopatych, but a monstrous snout with fangs and glowing eyes. — WAAAI! — Ezhik and Krosh screamed in one voice. They shot out of Kopatych’s house like bullets, ran through the entire vegetable garden without looking where they were going, and flopped down behind the nearest cardboard box that stood by the fence. — What was that? — Ezhik whispered, trembling. — I don’t know, but I think he wanted to eat us! — Krosh replied fearfully, pressing close to Ezhik. At that moment, the ground began to shake. The trembling grew stronger, and a yellow wave appeared on the horizon. It approached at incredible speed, and soon Ezhik and Krosh saw that it was… bananas! An enormous number of bananas, which were peeling themselves, spinning aggressively, and, like a tsunami, sweeping away everything in their path. They crushed trees, broke bushes, tore down fences, turning everything into a sticky, yellow mush. The wave of aggressive bananas was heading straight for their flimsy cardboard box. — This is the end… — Ezhik whispered, closing his eyes. — But what a bright one! — Krosh managed to shout before they were swallowed up by the wave of fruit madness. The aggressive bananas destroyed everything in their path, leaving behind only a clean, yellow space where the Valley of the Smeshariki once was.

Sora 2: A wonderful day was dawning in the Valley of the Smeshariki. Ezhik, with a ticket in his little paw and anticipation in his heart, was heading to the cinema. Today they were showing a new film about butterflies, and Ezhik was absolutely impatient. He carefully walked along the path, pondering what flavor the popcorn would be today. But suddenly, right in the middle of the path, sprawling out to its full scaly length, appeared… a huge crocodile! It was so big that it blocked the entire path to the cinema, and its eyes gleamed with an evil green light. Ezhik froze, his ticket falling from his paw. — U-um, excuse me, please, — he began timidly, — could you please move aside? I’m really in a hurry for the film… The crocodile merely blinked slowly, opening its mouth full of sharp teeth, and a low, guttural growl escaped from it. Realizing that politeness wouldn’t help here, Ezhik, in a trembling voice, grabbed his phone and dialed the only number that could help in such a situation: — Krosh! Urgently! There’s

Sora 2: Cinematic 30-second commercial for English learning brand “LinguaLab”, ultra-realistic 4K, Hollywood trailer style, dark mysterious laboratory, volumetric god rays, floating dust particles, dramatic shadows, teal-green color grading, shallow depth of field, slow cinematic camera movements, epic atmosphere, high production value. 0-8s: Two glass flasks on metallic lab table. Left flask labeled “Grammar” with glowing unstable blue liquid, bubbling and sparking. Right flask labeled “Vocabulary” with glowing green liquid, also unstable. Low cinematic bass rumble. Voice-over (deep, confident male voice, trailer style): “Many people study English… They memorize the rules. They memorize the words. But… they still can’t speak.” 8-18s: Mysterious scientist in white lab coat (face hidden in shadow) slowly lifts both flasks in slow motion, pours them into a large central flask. Blue and green liquids violently mix — massive glowing chemical reaction, energy swirl, electric arcs, bright green explosion of light, intense sparks and particles. Voice-over: “Because grammar alone is not enough. Vocabulary alone is not enough. Only when they come together… does real fluency begin.” Sound design: rising tension music, intense energy surge, bubbling chemistry, powerful whoosh. 18-24s: Reaction stabilizes. Inside the glowing flask, bright green-blue energy magically forms the words “Real English”. Camera slowly orbits around the flask, powerful but controlled glow. Voice-over: “This is not luck. This is a formula.” 24-30s: The flask begins transforming — glowing energy lines draw a gear shape around it, the flask smoothly morphs into the LinguaLab logo: a laboratory flask filled with green liquid and bubbles, inside a dark gray gear, text “LinguaLab” in modern green font below. Background smoothly fades from dark lab to clean white. Logo becomes sharp, solid, with subtle pulsing green glow. Below the logo appears text: “Grammar + Vocabulary = Real English”. Final powerful cinematic impact sound. End frame: LinguaLab logo perfectly centered on clean white background, premium minimal style, subtle green glow pulse.

MiniMax Director: Adorable Hyper-realistic hyper detailed Cerberus with dragon freatures

Kling 2.5 Turbo (pro): A surreal macro view of an ant colony behaving like a living algorithm. Thousands of ants — black, red, and copper-toned — move across a forest floor made of textured soil, moss, and glowing mineral veins. Their coordinated motion forms shifting patterns and networks of light, as if guided by mathematical rules similar to Conway’s Game of Life. Each ant leaves a faint luminous trail behind, connecting to others to form transient circuits and glowing pathways. Over time, these organic paths pulse and reorganize, creating evolving geometric structures that resemble neural networks, data grids, or living constellations. The scene feels both natural and computational — a symbiosis between biology and mathematics. Occasional macro close-ups reveal the ants’ bodies reflecting subtle hues of gold and violet, while the environment breathes with slow, rhythmic light. The camera glides low and slow, tracking the colony as it self-organizes. The transitions are smooth and painterly, never mechanical — the forest seems alive with invisible intelligence. No hard CGI or artificial look: everything feels tactile and organic, but the logic underneath is abstract and precise. -- macro cinematic realism mixed with surreal bioluminescence -- painterly rendering, organic yet algorithmic motion -- soft volumetric light through moss and soil, realistic micro-textures -- luminous network trails, dynamic geometry emerging from movement -- high depth clarity, minimal bloom, crisp focus on foreground ants -- evokes collective intelligence, natural computation, and emergence of order