Kling 2.5 Turbo (pro): Ultra cinematic slow aerial drone shot over the Nazca desert in Peru at twilight. A colossal ancient alien top-shaped spacecraft hovers low above the desert, slowly rotating with massive layered metallic circular structures. Dark storm clouds churn and swirl rapidly around the ship, illuminated by intermittent internal golden pulses. The craft descends slightly as concentric luminous rings activate one by one across its surface. From the narrow lower tip of the vessel, a powerful vertical spiraling energy beam activates and begins extracting underground water from deep beneath the Nazca lines. The beam pulls streams of glowing water upward through the earth in a vortex-like motion. Dust, sand, and debris rise into the air as the desert surface trembles. Ancient Nazca geoglyph lines begin softly illuminating outward from the extraction point like awakening circuitry. Small Nazca people in foreground silhouette stand on a ridge watching in awe, their garments moving in the wind. Distant mountains remain still beneath the violent cloud movement. Camera slowly pushes forward and slightly upward. The spacecraft rotates slowly, clouds churn dramatically, glowing lights pulse rhythmically, water spirals upward dynamically, dust swirls naturally. Epic mysterious revelation, sacred ancient contact, hyper realistic cinematic motion, volumetric lighting, dramatic atmospheric movement, dark gold and storm gray palette. Slow, powerful, majestic motion. No fast cuts. No chaotic shaking. Smooth cinematic realism.

Kling 2.5 Turbo (pro): Ultra cinematic six-panel visual transformation sequence of the real Nazca desert in Peru, seamless progressive evolution from archaeological realism into cosmic ancestral revelation. Panel 1: a vast realistic aerial view of the barren Nazca desert at sunset, dry cracked earth, silent emptiness, a small perfectly circular dark sinkhole at the center. Panel 2: closer aerial descent into the sinkhole, deep cylindrical shaft descending into darkness, faint warm golden light emerging from below, fractured dry stone edges. Panel 3: the underground energy awakens, inner walls glowing softly with molten golden light, floating debris, subtle seismic rupture expanding outward. Panel 4: the desert surface begins naturally cracking from the central sinkhole, organic fractures spreading like veins through the earth, revealing an emerging luminous Nazca geoglyph pattern. Panel 5: the full condor geoglyph becomes visible, massive and authentic Nazca-line proportions, glowing through the cracked desert floor like ancient living circuitry, elegant golden energy tracing every line. Panel 6: full cosmic revelation — a colossal vertical beam of ancient golden energy erupts from the condor center into the night sky, connecting earth to swirling celestial vortex clouds, distant galaxies and cosmic formations above, the desert transformed into a living sacred code of light. The earth must open naturally through progressive tectonic cracking, not sliced or mechanically separated. The transformation must feel fluid and sequential, each panel clearly evolving from the previous one. No text. No labels. No borders. No artificial collage elements. No cartoon style. No sci-fi machinery. No spaceships. Hyper-realistic cinematic matte painting, epic scale, sacred mystery, ancient intelligence awakening, dramatic volumetric lighting, realistic geological textures, seamless visual storytelling, dark amber and deep cosmic blue palette, breathtaking revelation.

Kling 2.5 Turbo (pro): Show tongue and looking camera

Sora 2: On live webcam in a room hyper-muscular young black man with undercut hairstyle with dyed-orange hair highlights, clean-shaven, wear orange adidas NBA charlotte bobcats logo t-shirt, beige athletic shorts and blue sneakers, emphasizes his powerful physique, his pectorals flexes and bounce. Ginormous muscular violent entity's slither and writhe beneath his body skin and muscles, different body parts – pectorals, neck, legs, buttock, arms, head and back – visibly showcase the violent entity beneath his muscles slither and sloshing under his skin and muscles, massively deform his body, veins throb. He violently fight to contain his uncontrollably muscles, he can't. T-shirt, shorts and sneakers, stretch, strain, rips to breaking point. He groan. Photo-realistic. Internal struggle. body horror

Sora 2: a comical movie scene with various shots of a large tyrannosaurus rex approaching with slightly heavy stomping and confronting a woman trying to lecture it while also showcasing the size difference as the woman has to look up at it while talking before the tyrannosaurus rex growls deeply and lets out a snort in annoyance and begins to turn around completely to have its rear face towards the woman then the t-rex lets out a grunt as it suddenly farts from directly behind its rear with its tail raised up thus letting out a large brownish green colored fart right at the person, including a low angle view of its hips as it lifts and raises its leg to fart again, including a shot directly behind the t-rex's rear with its tail raised and it letting out a grunt, including a shot of the t-rex's face with an animated sassy attitude expression while it is looking back at the woman as it farts at her with smug amusement, including a side view shot of the t-rex as it lets out a second large greenish brown fart at the woman again with its rear behind still facing towards her while she is still standing behind it, the t-rex also lets out a third and last fart with its leg raised like a dog that also causes the screen to get engulfed with greenish brown color for a moment before it also grunts, the woman reacts and coughs while commenting about the smell as she is engulfed in it and the t-rex laughs deeply before simply walking away at the end, the woman also shields her face and begins to cover her nose before coughing after as well while still engulfed in the slightly transparent greenish brown fart, with expressive movements and dynamic morning daylight lighting with shadows in an indoor mall setting with bystanders in the background watching and reacting also.

Sora 2: 1950s rockabilly girl, she's wearing pin-up style clothes. her chest enlarges to a massive size

Wan 2.5 Preview: Continuation of the previous cinematic scene. The three young women slowly come to a stop while walking along the quiet park alley near the university building. The atmosphere remains warm, bright and realistic under sunny June midday light. The red-haired woman suddenly realizes something important and laughs softly in disbelief. She gently puts her arms around her two friends while they stand together in the middle of the path. With emotional relief and joyful surprise she says in Russian: «defchonki... a ved mi cdali pockednuy wkzemen... fse!» The black-haired woman laughs warmly and answers in Russian: «mi teper cvobodni!» The blonde curly-haired woman smiles brightly and says in Russian: «ura!» The moment feels spontaneous, youthful and authentic, like close friends realizing an important chapter of their lives has finally ended. Natural body language, soft laughter, subtle gestures, realistic facial expressions, gentle summer breeze moving hair and clothing. The camera slows down with them and gently settles into a closer cinematic framing, slightly circling left while keeping the green park alley softly visible in the background. Smooth cinematic camera motion, stable faces, physically accurate movement, premium streaming series aesthetic. Bright June sunlight, lush green trees, warm natural colors, realistic shadows, cinematic realism, elegant university atmosphere. Sound design continues seamlessly from the previous shot: soft summer wind, distant birds, rustling leaves, quiet city ambience. Gentle piano and light strings become warmer and slightly more emotional while remaining restrained and realistic. Natural Russian dialogue and realistic laughter. cinematic academic fantasy, grounded realism, prestige fantasy drama, subtle fantasy atmosphere, emotional realism, cinematic motion, 4K, 24fps Duration: 4 seconds Aspect ratio: 16:9

Sora 2: A high-octane sci-fi action trailer, 60 seconds, filmed in the visual style of Inception — rotating environments, dreamlike physics, and a haunting orchestral score. Two characters: **ARIA**, a sharp, stoic female AI engineer in a sleek black coat, and **KAI**, a rogue synthetic humanoid with glowing neural veins beneath translucent skin. The trailer opens on a collapsing digital cityscape folding in on itself. Aria sprints across a mirrored hallway that bends into infinity while data streams shatter like glass around her. Kai stands at the center of a fracturing virtual world, turning slowly as reality peels away in layers. Quick cuts: rooftop chase through a neon-lit city frozen in time, close-up of Kai's eye loading like a CPU, Aria's hand reaching through a wall of cascading code. End on both characters standing back to back in silence as the world dissolves into black — then a single glowing word fades in: **"SYNTHETIC."** Cinematic lens flares, desaturated color grade with deep blues and golds, IMAX aspect ratio

Sora 2: Here's a cinematic prompt ready to paste int A high-octane sci-fi action trailer, 60 seconds, filmed in the visual style of Inception — rotating environments, dreamlike physics, and a haunting orchestral score. Two characters: **ARIA**, a sharp, stoic female AI engineer in a sleek black coat, and **KAI**, a rogue synthetic humanoid with glowing neural veins beneath translucent skin. The trailer opens on a collapsing digital cityscape folding in on itself. Aria sprints across a mirrored hallway that bends into infinity while data streams shatter like glass around her. Kai stands at the center of a fracturing virtual world, turning slowly as reality peels away in layers. Quick cuts: rooftop chase through a neon-lit city frozen in time, close-up of Kai's eye loading like a CPU, Aria's hand reaching through a wall of cascading code. End on both characters standing back to back in silence as the world dissolves into black — then a single glowing word fades in: **"SYNTHETIC."** Cinematic lens flares, desaturated color grade with deep blues and golds, IMAX aspect ratio. --- 💡 **Tips before generating:** - Set duration to **60s** and aspect ratio to **9:16 (cinematic)*s style

Sora 2: Make her vreast become bigger

Sora 2: two boys at six years,wearing bjj jackets,white obis,cropped bjj pants, grappling,sandy ground

Sora 2: an video of two kids running through an airport with luggage

Sora 2: A sentimental emotionally powerful tear-inducing final episode from a sci-fi dramatic movie in Russian. The frost, a snowstorm, gloomy darkness, the icy gloom of the apocalypse. A pretty 25-year-old young woman named Gerageya, who has lost her strength, weakened during the search, but has not lost hope of finding her daughters, comes to her senses in a world gripped by darkness, cold and giant creepy monsters. She has beautiful long blonde hair, a pretty young face, turquoise-gray eyes, she is dressed in dark warm clothes that are covered with a crust of ice, her long hair is hidden under a scarf and a warm knitted hat. She sees her two five-year-old daughters, Katya and Alina, in the distance. Alina is wearing a dark turquoise winter jacket, a cream knitted scarf, and a light beige knitted hat with a pompom. Katya is wearing a dark pink down jacket with a fur-lined hood. They are dressed in winter clothes, and their hair is hidden under hats. Katya and Alina run in the distance to Gerageya and cry with joy. Gerageya sees Katya and Alina run in the distance. They thought they had lost each other forever. An incredible miracle happened that they saw each other again and did not disappear without a trace in this creepy and cold world. There is poor visibility in the background due to a snowstorm, and the icy ruins of the city are barely visible. A blizzard is howling. Strong wind. - The characters' sincere emotions, cinematic montage, cold dark post‑apocalyptic cinematic dramatic light, cinematic dramatic camera work, ultra‑realistic rendering, 8K, ARRI ALEXA, 35mm film grain, shallow depth of field, HDR, natural color grading. - Natural sound, characteristic background sounds. Without music. - No text overlays, watermarks, or UI graphics. Hands, legs and faces photorealistic, anatomically correct, no extra limbs or fused fingers. No flickering, tearing, digital glitches, or inconsistent lighting. No real or fake brand identifiers.

Sora 2: A sentimental emotionally powerful tear-inducing final episode from a sci-fi dramatic movie in Russian. The frost, a snowstorm, gloomy darkness, the icy gloom of the apocalypse. A pretty 25-year-old young woman named Gerageya, who has lost her strength, weakened during the search, but has not lost hope of finding her daughters, comes to her senses in a world gripped by darkness, cold and giant creepy monsters. She has beautiful long blonde hair, a pretty young face, turquoise-gray eyes, she is dressed in dark warm clothes that are covered with a crust of ice, her long hair is hidden under a scarf and a warm knitted hat. She sees her two five-year-old daughters, Katya and Alina, in the distance. Alina is wearing a dark turquoise winter jacket, a cream knitted scarf, and a light beige knitted hat with a pompom. Katya is wearing a dark pink down jacket with a fur-lined hood. They are dressed in winter clothes, and their hair is hidden under hats. Katya and Alina run to Gerageya and cry with joy. They thought they had lost each other forever. An incredible miracle happened that they saw each other again and did not disappear without a trace in this creepy and cold world. There is poor visibility in the background due to a snowstorm, and the icy ruins of the city are barely visible. A blizzard is howling. Strong wind. - The characters' sincere emotions, cinematic montage, cold dark post‑apocalyptic cinematic dramatic light, cinematic dramatic camera work, ultra‑realistic rendering, 8K, ARRI ALEXA, 35mm film grain, shallow depth of field, HDR, natural color grading. - Natural sound, characteristic background sounds. Without music. - No text overlays, watermarks, or UI graphics. Hands, legs and faces photorealistic, anatomically correct, no extra limbs or fused fingers. No flickering, tearing, digital glitches, or inconsistent lighting. No real or fake brand identifiers.

Wan 2.5 Preview: the wind blows on the roses