Sora 2: I give this man money, he takes it and starts to dance joyfully, taking off his clothes

LTX-2 Pro: These friends have had lunch at a restaurant and are now getting up and leaving without paying the bill. They are waving their hands and saying thank you, thank you, thank you. The police man is chasing them.

Kandinsky 5 Pro: Woman with blonde hair, pink T-shirt, denim shorts, riding a green bicycle, pedaling, city park, realistic style

Kling 2.5 Turbo (pro): Cinematic horizontal video, 5 seconds, 16:9, static shot. A human figure appears only as a dark, featureless shadow. Inside the chest of this human shadow, a single luminous moth is flying chaotically and rapidly. The moth glows with bright neon cyan and magenta light. It leaves a long, bright, glowing trail of sparkling particles inside the chest, visible through the shadow. The background is completely dark. Cinematic lighting, high contrast, 8K, photorealistic. The moth’s light illuminates the shadow from within. Negative promt: realistic human face, skin, clothes, eyes, mouth, external moth, moth outside the body, normal anatomy, bright background, multiple moths, slow motion

Kling 2.5 Turbo (pro): Realistic animation: several children standing or sitting, looking directly at the camera, smiling widely and waving their hands. Some wave with one hand, some with both. Children look happy, eyes bright, may slightly bounce or sway. Natural lighting. Animation: children rhythmically wave their palms, blink, smiles change (wider or softer), slight head and body movements. Smooth motion, 4-5 second loop.

Sora 2: chinese monk practicing. monk head written MICHI

MiniMax Director: the camera ascends very quicky moving away from the people, the musicians continue playing and we see the girl in full from head to toe in costume as she belly dances to the music

Kling 2.5 Turbo (pro): the camera ascends very quicky moving away from the people, the musicians continue playing and we see the girl in full from head to toe in costume as she belly dances to the music

Sora 2: Open your arms wide to hug the viewer (POV) and approach the viewer (POV).

Hunyuan Video: https://patreon.com/SouadXD?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_fan&utm_content=join_link

CogVideoX-5B: **Subject:** A modern minimalist hourglass with deep black sand grains flowing smoothly, made of flawless transparent borosilicate glass, 2,4 inch in diameter and 6 inch in height, placed on a solid teak wood base with a matte finish. **Environment:** A quiet studio with exposed gray concrete walls, a large vertical window on the right side revealing a bluish overcast sky outside, a dark mahogany wooden table as the main surface, and a white ceramic vase holding a single dried cotton stem as a minimal decorative element in the blurred background. **Primary Action:** The black sand grains fall consistently through the narrow neck of the hourglass, forming a perfect -shaped pile in the lower chamber. Occasionally, grains lightly bounce off one another, creating subtle micro-sparkle effects. The sand falls at 0.5x normal speed. **Secondary Action:** Light from the window gradually fades, indicating a transition from daytime to dusk. Soft reflections on the glass surface of the hourglass shift gently, and tiny dust particles are visible floating slowly in the air within the beam of light. **Visual Style:** Scandinavian minimalism blended with contemplative cinematography in the style of Ozu, featuring a monochromatic palette with organic textures, clean lines, and a calm composition. **Camera Work:** A static tripod shot using a 100mm macro lens, aperture f/4.0 for shallow depth of field that softens the background. The viewpoint is aligned horizontally with the axis of the hourglass at a height of 4 inch from the table, followed by a slow 0.05x zoom-in over 15 seconds toward the falling sand grains. **Framing:** Rule of thirds applied, placing the hourglass on the left side of the frame, leaving negative space on the right to guide the viewer’s gaze. Eye-level perspective relative to the object. **Lighting Design:** Diffused natural lighting from the large window at 7000K, creating a soft gradient from light to shadow across the object, with no hard shadows. Light intensity gradually decreases from 500 lux to 200 lux over the duration of the shot. **Color Grading:** Overall desaturated tones approaching grayscale, with a subtle cool bluish tint. Medium contrast, very soft crushed blacks, restrained white point, and minimal film grain for a slight analog touch. **Temporal Elements:** Total duration of 25 seconds, sand motion at 0.5x speed, gradual lighting transition from 0–25 seconds. **Audio Landscape:** Authentic studio silence with very low ambient room noise (subtle AC hum at 60Hz at -50 dB). A soft, consistent high-frequency sound of micro sand friction (5kHz–8kHz) at -35 dB. A calm, clear male narration (fundamental frequency 120Hz–180Hz) in Indonesian, recorded with a condenser microphone, master mix output at -6 dB, with no background music. **Narrator (translated):** “Sometimes the world is full of surprises—so much so that we never expect there are people who cannot tell the difference between a spoiled raw egg and a spoiled boiled egg. Anyway, my friend, take a rest. Let the world remain amusing with all its surprises.”

Sora 2: **Subject:** A modern minimalist hourglass with deep black sand grains flowing smoothly, made of flawless transparent borosilicate glass, 2,4 inch in diameter and 6 inch in height, placed on a solid teak wood base with a matte finish. **Environment:** A quiet studio with exposed gray concrete walls, a large vertical window on the right side revealing a bluish overcast sky outside, a dark mahogany wooden table as the main surface, and a white ceramic vase holding a single dried cotton stem as a minimal decorative element in the blurred background. **Primary Action:** The black sand grains fall consistently through the narrow neck of the hourglass, forming a perfect -shaped pile in the lower chamber. Occasionally, grains lightly bounce off one another, creating subtle micro-sparkle effects. The sand falls at 0.5x normal speed. **Secondary Action:** Light from the window gradually fades, indicating a transition from daytime to dusk. Soft reflections on the glass surface of the hourglass shift gently, and tiny dust particles are visible floating slowly in the air within the beam of light. **Visual Style:** Scandinavian minimalism blended with contemplative cinematography in the style of Ozu, featuring a monochromatic palette with organic textures, clean lines, and a calm composition. **Camera Work:** A static tripod shot using a 100mm macro lens, aperture f/4.0 for shallow depth of field that softens the background. The viewpoint is aligned horizontally with the axis of the hourglass at a height of 4 inch from the table, followed by a slow 0.05x zoom-in over 15 seconds toward the falling sand grains. **Framing:** Rule of thirds applied, placing the hourglass on the left side of the frame, leaving negative space on the right to guide the viewer’s gaze. Eye-level perspective relative to the object. **Lighting Design:** Diffused natural lighting from the large window at 7000K, creating a soft gradient from light to shadow across the object, with no hard shadows. Light intensity gradually decreases from 500 lux to 200 lux over the duration of the shot. **Color Grading:** Overall desaturated tones approaching grayscale, with a subtle cool bluish tint. Medium contrast, very soft crushed blacks, restrained white point, and minimal film grain for a slight analog touch. **Temporal Elements:** Total duration of 25 seconds, sand motion at 0.5x speed, gradual lighting transition from 0–25 seconds. **Audio Landscape:** Authentic studio silence with very low ambient room noise (subtle AC hum at 60Hz at -50 dB). A soft, consistent high-frequency sound of micro sand friction (5kHz–8kHz) at -35 dB. A calm, clear male narration (fundamental frequency 120Hz–180Hz) in Indonesian, recorded with a condenser microphone, master mix output at -6 dB, with no background music. **Narrator (translated):** “Sometimes the world is full of surprises—so much so that we never expect there are people who cannot tell the difference between a spoiled raw egg and a spoiled boiled egg. Anyway, my friend, take a rest. Let the world remain amusing with all its surprises.”

Kling 2.5 Turbo (pro): Create very smooth transitions. Smile cheerfully, walk casually, wind blows hard. The camera rotates, realistic movement.

Sora 2: (generate an tv spot from this picture leopard will feed a blue pizzas) The leopards eats blue pizzas in the Los Angeles zoo

Sora 2: Charlie Chaplin playing football