Wan 2.5 Preview: The robot is walking. The background is a mountain. The mountains in the background change to a forest. The robot is still walking. The forest in the background changes to a desert. The robot is still walking. The style is realistic.

Sora 2: Scene Description A middle-aged Russian man in casual winter clothing—thick coat, scarf, boots—walks confidently down a typical urban street in Russia lined with classic 5-story Khrushchevka panel apartment buildings featuring low ceilings, plain concrete facades, small balconies, and no elevators, mixed with nearby modern new-build high-rises of glass, steel panels, and panoramic glazing. Snow dusts the cracked sidewalks under overcast skies, with parked sedans, distant traffic, and subtle details like laundry on balconies and faded Soviet-era signs for authenticity. ​ Transition Effect A seamless smooth morphing transition blends the outdoor street view into an indoor apartment inspection, like a fluid cinematic dissolve where the man's footsteps echo from pavement to parquet flooring, external building facades fade into interior walls. ​ Indoor Apartment Details Inside a spacious modern Russian apartment for sale viewing: the man closely examines open-plan living room with stretch ceilings, LED recessed lights, fresh wallpaper, large windows overlooking the street, laminate floors, built-in storage, and a kitchenette with contemporary appliances. He checks details like door frames, bathroom tiles, and balcony access, with real estate "For Sale" sign visible, natural daylight streaming in, high-end finishes like ceramic granite accents, and subtle wear on older elements for realism. Ultra-detailed human expressions, fabric textures on furniture, dust motes in air, professional HDR lighting, no artifacts, masterpiece quality.

LTX-2 Pro: she turn around

PixVerse v5: she turn around

Kling 2.5 Turbo (pro): Epic fantasy film, a warrior fiercely battles a colossal knight. The warrior, clad in gleaming armor, wields a glowing sword, his stance resolute. The behemoth knight, armored in dark, imposing metal, swings a massive warhammer. Dust and sparks fly as they clash. Dynamic camera movement, wide shot, dramatic lighting.

Sora 2: Vertical video 9:16. A quiet December evening. A tired person in home clothes sitting alone in a dim kitchen or small room. Cold gray winter light, muted colors. The person looks exhausted and slightly sad, resting their head on their hand. Outside the window — winter darkness, maybe light snow or rain. Static camera, minimal movement. Calm, lonely, everyday atmosphere. Realistic, cinematic lighting, shallow depth of field.

Sora 2: March 8, 1584. Dark, dimly lit rooms of the Moscow Kremlin. In the semi—darkness, pierced by the trembling light of wax candles and the reflections of burning coals in the stove, Tsar Ivan Vasilyevich IV, nicknamed the Terrible, lies on a high bed - a man whose features once embodied imperious beauty, but now ruthlessly scarred by time and hardship. He is 53 years old, but he looks much older. His face is haggard, covered with deep wrinkles, especially noticeable in uneven light. The skin is earthy gray, with an unhealthy yellowish tint. His eyes, once piercing and domineering, are now sunken, his gaze tired, with a heavy shadow inside. It's not so much anger that you can read in it, but deep fatigue and, possibly, anxiety. His hair was gray, sparse, and bald; his beard was untidily trimmed, with straggly strands. The body is swollen, with obvious signs of illness: swollen hands, trembling fingers, difficulty breathing. Movements are constrained, every effort is difficult. He is wearing a rich but worn robe of dark velvet, embroidered with gold threads, now tarnished. The rings on her fingers, which once sparkled with precious stones, now seem heavy and out of place. The king's chambers are a gloomy, enclosed space: The lighting is sparse: candles in silver sconces barely dispel the darkness, casting long, swaying shadows on the carved oak panels of the walls. The air is heavy, saturated with the smell of wax, incense and medicines. Somewhere in the corner, an incense burner with herbs is smoking, designed to ease the emperor's breathing. The objects around are symbols of power and faith: on the wall is an icon of the Virgin in a silver frame, on the table is an open Psalter, an inkwell with dried ink, scrolls with decrees, half—written and abandoned. The tsar's deep, authoritative, but already tired voice, with a gentleness and warmth not typical of his manners, says in Old Russian: "Katyusha, please come closer, why are you standing in the dark?" Historical documentary style. Old VHS camcorder handheld, wobble. Shot on 35mm film, natural grain, organic texture. Dramatic, tense mood. Found footage horror. Only characteristic medieval background sounds. Without music.

Kling 2.5 Turbo (pro): The camera pulls back a bit, revealing that the girl is wearing leggings and the guy is wearing black pants. The girl, smiling, turns sharply to the guy and nudges him in the chest. The guy, too, is smiling.

Kling 2.5 Turbo (pro): She moves her hips left to right, her eyes are always looking at the camera. Video on the background of a green chromakey. extremely high resolution

Sora 2: March 8, 1584. Dark, dimly lit rooms of the Moscow Kremlin. In the semi—darkness, pierced by the trembling light of wax candles and the reflections of burning coals in the stove, Tsar Ivan Vasilyevich IV, nicknamed the Terrible, lies on a high bed - a man whose features once embodied imperious beauty, but now ruthlessly scarred by time and hardship. He is 53 years old, but he looks much older. His face is haggard, covered with deep wrinkles, especially noticeable in uneven light. The skin is earthy gray, with an unhealthy yellowish tint. His eyes, once piercing and domineering, are now sunken, his gaze tired, with a heavy shadow inside. It's not so much anger that you can read in it, but deep fatigue and, possibly, anxiety. His hair was gray, sparse, and bald; his beard was untidily trimmed, with straggly strands. The body is swollen, with obvious signs of illness: swollen hands, trembling fingers, difficulty breathing. Movements are constrained, every effort is difficult. He is wearing a rich but worn robe of dark velvet, embroidered with gold threads, now tarnished. The rings on her fingers, which once sparkled with precious stones, now seem heavy and out of place. The king's chambers are a gloomy, enclosed space: The lighting is sparse: candles in silver sconces barely dispel the darkness, casting long, swaying shadows on the carved oak panels of the walls. The air is heavy, saturated with the smell of wax, incense and medicines. Somewhere in the corner, an incense burner with herbs is smoking, designed to ease the emperor's breathing. The objects around are symbols of power and faith: on the wall is an icon of the Virgin in a silver frame, on the table is an open Psalter, an inkwell with dried ink, scrolls with decrees, half—written and abandoned. The tsar's deep, commanding but already tired voice speaks in Old Russian: "Everyone out!" Historical documentary style. Old VHS camcorder handheld, wobble. Shot on 35mm film, natural grain, organic texture. Dramatic, tense mood. Found footage horror. Only characteristic medieval background sounds. Without music.

Kling 2.5 Turbo (pro): Capybara takes coins out of his pocket, counts them and puts them on the table as payment.

Sora 2: A stern, over-the-top parody Santa Claus breaks through the wall of a den, sitcom-style. He spots an oversized cookie jar on the coffee table, stomps over, and yanks the lid off. Inside, an infant in old clothing pops up, standing upright and clutching a big chocolate-chip cookie, crumbs on their face. Santa violently recoils, eyes bulging, almost dropping the lid. He points at the cookie, then at his belly, and bellows: “OH OH OH! LOOKS LIKE IT’S SANTA’S CHEAT DAY!” Canned laughter plays as Santa awkwardly laughs it off, gently lifts the baby out of the jar, and hands them offscreen to a parent while sneakily stealing a cookie. Multi-camera sitcom vibe, bright clean living-room lighting, exaggerated reactions, 4K, realistic faces, smooth camera movement, classic TV-comedy timing, slightly surreal tone.

Sora 2: skeleton screams so hard that he creates a supernova

Kling 2.5 Turbo (pro): Capybara sips from a glass, then takes coins out of his pocket and counts them.

LTX-2 Pro: A person with a green screen background, smiling naturally while pointing with one hand diagonally over their shoulder, as if indicating something behind them and above. The gesture is clear and confident, directing attention upward and backward. The person looks engaged, reflective, and supportive, as if reinforcing an unseen message. Only the listener is visible, not the speaker.