Wan 2.5 Preview: professional advertisement style clip. Close-up of an oblong, flat can of sardines on a black background. A hand opens the can. Inside are sardines in oil. Instead of sardines, there are humans in the uniform of underwater divers. Chopsticks appear and pick up one of the divers from the can, bringing diver closer to the camera. The diver waves his arms and shouts

Sora 2: Hyper-realistic 8K cinematic sequence, photorealistic ancient Egyptian adventure. A breathtaking young Egyptian princess — flawless olive-bronze skin, kohl-lined almond eyes, long black braids with gold beads and cobra uraeus diadem — enters a sealed, long-buried golden tomb. She wears a sheer white linen kalasiris with gold embroidery, heavy gold collar necklaces inlaid with vivid emeralds and lapis, gold armbands, bracelets, anklets, and emerald-drop earrings. Her face shows awe and determination in flickering torchlight. She descends stone steps into a dimly lit burial chamber, holding a flaming torch that casts warm golden-orange light and deep shadows. Walls feature vivid authentic hieroglyphs and painted afterlife scenes with key symbols: Ankh : eternal life and immortality Eye of Horus : protection, healing, royal power Djed pillar : stability, resurrection, Osiris's backbone Was scepter : divine power and dominion Scarab : rebirth and transformation (Khepri) Lotus : purity, creation, daily renewal Shen rings  eternal protection and infinity Dust motes float in beams. Camera tracks her slowly from low angle, then over-the-shoulder as she studies glowing inscriptions. She reaches the treasure-filled heart: shining golden sarcophagus surrounded by untouched riches — gold canopic jars, jeweled chests of coins and ingots, alabaster vases, emerald-encrusted Anubis and Bastet statues, pectorals with Eye of Horus/Ankh inlays, large scarab amulets. Sarcophagus and walls bear protective hieroglyphs invoking life, stability, and power. Eyes wide with wonder, she kneels, brushes dust from an emerald Eye of Horus amulet on the lid, whispering in ancient Egyptian (subtitled: "Life, stability, and power endure forever"). Camera performs smooth 360° dolly around her as golden light intensifies — a thin sunbeam pierces the ceiling, illuminating dust and symbols like divine revelation. Rich gold/emerald/lapis colors, warm torchlight vs cool shadows. Moody orchestral score with sistrum and lute. Slow-motion close-ups: face, hands on etched artifacts, sparkling emeralds and hieroglyphs with realistic reflections. Epic, authentic high-budget discovery atmosphere (no modern elements). Smooth dolly-ins, subtle handheld tension, final wide reveal of the treasure chamber. 15-30 seconds, 24fps, ultra-detailed textures: stone carvings, metal engravings, fabric, skin, realistic hieroglyphs from real tombs.

Sora 2: A hyper-realistic cinematic sequence in 8K, photorealistic style, ancient Egyptian adventure: A stunningly beautiful young Egyptian princess with flawless olive-bronze skin, intense kohl-lined almond eyes, long black braided hair adorned with gold beads and a golden cobra diadem, enters a long-buried golden tomb. She wears elaborate royal attire — a sheer white linen kalasiris gown with golden embroidery, heavy gold collar necklaces inlaid with vivid green emeralds and lapis lazuli, matching gold armbands, bracelets, anklets, and large emerald-drop earrings that catch the light. Her expression shows awe and determination as torchlight flickers across her face. She cautiously descends stone steps into the dimly lit burial chamber, holding a flaming torch that casts warm golden-orange glows and deep dramatic shadows on intricately carved walls covered in vivid hieroglyphs and painted scenes of gods and pharaohs. Dust particles float in the air. As she advances, the camera slowly tracks her from a low angle, then shifts to over-the-shoulder view. She reaches the heart of the tomb: a magnificent golden sarcophagus gleaming under the torchlight, surrounded by piles of untouched treasures — ornate gold canopic jars, jeweled chests overflowing with gold coins, alabaster vases, emerald-encrusted statues of Anubis and Bastet, shimmering pectorals, and scattered scarabs. Her eyes widen in wonder; she kneels reverently, gently brushes dust from a large emerald amulet on the sarcophagus lid, whispering in ancient Egyptian (subtitled: "The gods have preserved this for me"). The camera circles slowly around her in a smooth 360-degree dolly shot as golden light intensifies, revealing more hidden riches emerging from shadows — perhaps a beam of sunlight piercing through a crack in the ceiling, illuminating floating dust like magic. Cinematic color grading: rich golds, deep emeralds, warm torchlight contrasts with cool blue shadows. Moody orchestral score swells with ancient Egyptian instruments. Slow-motion close-ups on her face, hands touching gold artifacts, emeralds sparkling realistically. Epic, adventurous atmosphere like a high-budget Indiana Jones-style discovery scene but authentically ancient Egyptian, no modern elements. Camera movements: smooth dolly-ins, subtle handheld tension, final wide reveal of the full treasure chamber. Duration: 15-30 seconds, 24fps, highly detailed textures, realistic fabric folds, metal reflections, and skin pores.

Wan 2.5 Preview: change the Camera POV , pivot 90 degrees to the right, both musicians and drum kit should appear as seen from the right of the stage

Wan 2.5 Preview: change the Camera POV , pivot 90 degrees to the left, both musicians and drum kit should appear as seen from the left of the stage

Sora 2: A hyper-stylized **Studio Trigger-inspired anime music video** blending **1940s Jersey Bounce swing energy** with **modern satirical instrumental flair**, masterfully directed with **cinematic dynamism**—**ultra-detailed 8K resolution**, vibrant cel-shaded textures, and **bold ink-like outlines** that pop with neon-trimmed contrast. **Exaggerated Trigger-style facial expressions** (squash-and-stretch comedy, over-the-top reactions) paired with **Hollywood-blockbuster camerawork**: **dutch-angle dance sequences**, **rack-focus transitions** between **ultra-wide band stage shots** and **intimate slow-motion instrument close-ups**, dramatic **chiaroscuro lighting** casting deep teal-and-gold sh

Hunyuan Video I2V: Realistic vertical video (9:16), a static front-facing camera positioned directly in front of a transparent monolithic block of ice containing bright fruits and flowers embedded inside. At the beginning, the ice surface is covered with a light frosty haze and appears slightly cloudy, then gradually begins to slowly melt: droplets of water slowly run down the glass-smooth surface, the transparency of the ice increases, and the citrus slices, berries, and flowers inside become clearer. The melting occurs naturally, without abrupt transitions, with soft highlights and tiny air bubbles visible within the ice. In the final frame, the surface becomes fully clear and matches the first image exactly: a clean, transparent block of ice with fruits and flowers clearly visible inside.

Sora 2: Realistic vertical video (9:16), a static front-facing camera positioned directly in front of a transparent monolithic block of ice containing bright fruits and flowers embedded inside. At the beginning, the ice surface is covered with a light frosty haze and appears slightly cloudy, then gradually begins to melt: droplets of water slowly run down the glass-smooth surface, the transparency of the ice increases, and the citrus slices, berries, and flowers inside become clearer. The melting occurs naturally, without abrupt transitions, with soft highlights and tiny air bubbles visible within the ice. In the final frame, the surface becomes fully clear and matches the first image exactly: a clean, transparent block of ice with fruits and flowers clearly visible inside.

Kling 2.5 Turbo (pro): A Family Guy rerun plays on the old cable TV—everything seems normal at first, just the Griffins at dinner with the usual jokes and laugh track. But the timing feels wrong; the laugh track stretches too long, and the animation becomes jerky, with characters blinking out of sync and colors draining away. The family's smiles grow unnaturally wide as they hold eye contact for far too long, while the camera lingers on their frozen faces for twenty, thirty seconds. Background characters stand completely motionless, and the laugh track distorts into overlapping voices that sound more like screaming. The same dinner scene repeats over and over, but each time small details are wrong—Lois's eyes change colors, Chris has too many fingers, Meg's hair moves on its own. The episode rewinds and plays from impossible angles—from inside the refrigerator, beneath the floorboards, inside a character's mouth. Finally, the camera zooms into Peter's unblinking eye until it fills the screen, and in its reflection you see someone in a living room watching TV—someone who looks exactly like you—before the screen cuts to black while distorted laughter continues for exactly 23 seconds, stopping mid-breath.

Sora 2: A low-resolution video recording of a cartoon TV show playing on an old cable television from the early 2000s. The animation style resembles a familiar, family-friendly cartoon with simple shapes and bright colors. The TV screen flickers slightly, with faint static, scan lines, and analog noise. As the broadcast continues, the cartoon characters subtly change: their eyes linger too long, pupils slightly misaligned, smiles stretch unnaturally wide. Facial proportions slowly distort while the animation remains smooth and calm. The characters stop blinking correctly. Background music becomes faint and warped. Suddenly the characters turn their heads toward the viewer, breaking the fourth wall. Their faces become hyper-detailed and uncanny, textures too realistic for a cartoon — visible pores, wet eyes, stiff expressions. The lighting inside the cartoon darkens while the room around the TV remains silent. The camera is static, as if recorded on a VHS tape. Color bleeding, compression artifacts, and frame drops increase. The atmosphere becomes deeply unsettling, evoking analog horror, uncanny valley, and corrupted childhood nostalgia.

Sora 2: assisted middle splits

Wan 2.5 Preview: The girl puts a long blonde wig on her head

Kling 2.5 Turbo (pro): a boy running to take a shower

LTX-2 Pro: girl and boy hand on hand ant beach in swimwear

PixVerse v5: animate everything in this picture