LTX-2 Pro: shows off in front of the mirror, takes two steps back, and smiles sweetly

Kling 2.5 Turbo (pro): Add small, gold-colored secret symbols in the background that appear randomly. Enliven the smoke and make it clearer and more saturated. Leave the drawing and inscription in their default state. Make the blue and orange lights in the drawing flash.

Kling 2.5 Turbo (pro): shows off in front of the mirror, takes two steps back, and smiles sweetly

LTX-2 Pro: Lemon Meringue, Strawberry Shortcake, and Cherry Jam are walking in the forest at night. Strawberry Shortcake says “It’s the greatest Pokémon in the whole wide world.” Cherry Jam says “That’s right, Strawberry, it’s a legendary Pokémon.” Lemon Meringue says “I love this Pokémon trainer for the first time.”

Kling 2.5 Turbo (pro): A boy and a girl approach each other and hug. They are smiling. In the background are tables in a cafe.

Kling 2.5 Turbo (pro): The girl looks tenderly into the camera, turns her back, arches her back, and smiles sweetly.

Kling 1.0 (standard): It's interesting to animate a photo

Kling 2.5 Turbo (pro): man kisses woman passionately

Kling 2.5 Turbo (pro): We take the guy and girl from the photograph and move them to a cafe. The guy and girl are sitting at a table in the cafe, looking at each other, smiling.

Kling 1.0 (standard): It's interesting to animate a photo

Kling 2.5 Turbo (pro): Man and woman kissing french lenght

Kling 2.5 Turbo (pro): Man and woman kissing french slow motion

LTX-2 Pro: SpongeBob holds the microphone and sings SpongeBob Theme Song at the Bikini Bottom concert SpongeBob says “Are you ready, kids?” Kids says “Aye-aye, Captain!” SpongeBob says “I can’t hear you!” Kids says “Aye-aye, Captain!”

LTX-2 Pro: Strawberry Shortcake and friends are getting ready for the ice cream island. Strawberry Shortcake says “Get in the car, friends, we’re ready for the ice cream island.”

Kling 2.5 Turbo (pro): Cinematic S.T.A.L.K.E.R. style underground tunnel, dark ruined concrete corridor with broken ceiling, puddles and debris on the floor, roots and rusted pipes along the walls, cold blue‑green lighting, volumetric godrays from holes above, particles of dust floating in the air, lone stalker in gas mask and tactical gear runs away from camera toward a bright doorway at the end of the tunnel, handheld tracking shot from behind at low angle, 24fps, highly detailed, moody post‑apocalyptic atmosphere». «After stalker exits frame through doorway, camera keeps flying smoothly forward along the tunnel, slow continuous dolly‑flythrough toward the door, emphasizing empty corridor, echoes of fading footsteps and distant Geiger counter clicks». «When corridor becomes empty, subtle anomaly appears in the center of the tunnel: faint distortion of air, shimmering spherical lens‑flare–like glow that pulses every few seconds, slightly bending light and dust particles around it, no camera shake, just calm ominous presence, reflections of anomaly flicker in puddles on the floor,towards the end, the camera flies through a dark opening