Sora 2: A cinematic video of an ancient creepy forest with an old witch who lives in a cottage with small imps. 35mm camera with a wide angle lens. High def realistic style. Dim light with mist on the ground. Full moon beams. Spooky with eerie music

Sora 2: Girl takes the jacket off and flicks her ponytail

Sora 2: Open your arms wide to hug the viewer (POV) and approach the viewer (POV).

Sora 2: Now turn this image into a video of him saying hello everyone happy Sunday, I really your opinions on something, kindly dm or say hi in the comment section

Kling 2.5 Turbo (pro): Now turn this image into a video of him saying hello everyone happy Sunday, I really your opinions on something, kindly dm or say hi in the comment section

LTX-2 Pro: Strawberry Shortcake with a book and Cherry Jam are sitting on the bed in the upstairs room tonight. Strawberry Shortcake says “Too soon, the clock struck ten. Bedtime girls, said Rose's mother. Lights out, and no giggling allowed.”

Kling 2.5 Turbo (pro): The woman sits on her boyfriend and hugs him

Sora 2: Astronaut intercepts sports car previously launched into space and gets in. High def 35mm camera. Realistic. Mood is exciting. Background music to accompany the action

Sora 2: A dramatic episode from science fiction feature film in the genre pseudo - documentary in Russian. USSR in the 60s. The weather is gloomy in late autumn. A light rain is drizzling. The temperature is about 10 degrees Celsius. A The colossal construction of the scientific research institute complex, which includes underground laboratories and multi-storey buildings with a territory of several kilometers, as part of the construction of the science city of Svetloleninsk. Soviet mathematician and inventor Viktor Ivanovich Kunitsyn, a well-read, kind, thin man with a small mustache, about 40 years old, wearing glasses, a white shirt with a black tie, and black trousers. He has a small mustache. Viktor Ivanovich stands next to his daughter a pretty 25-year-old Russian young woman named Katya Kunitsyna is a time traveler. She has beautiful long hair, a pretty face, and gray eyes. She is wearing a long knitted sweater, dark tights, rubber boots, and he has a small Soviet gray travel backpack on his back. Katya hugs her dad and cries. Viktor Ivanovich tells her in Russian: "Katyush, ty molodec. Ty vsyo sdelala pravilno." A construction site, a grandiose construction of a research institute in the science city of Svetloleninsk is underway in the background. The voices in Russian of construction workers can be heard in the background at a distance. The surroundings, cars, clothes, construction equipment and background correspond to the USSR in the 60s, without anachronisms. - Old camcorder handheld, old Soviet Footage 60s. Retro tones. With subtle vertical micro-shake from operator’s breath. Focus briefly drifts, then smoothly returns—stable yet human. During a fast pan, slight rolling-shutter skew appears. - Natural old sound 60s, characteristic background sounds. Without music. - No text overlays, watermarks, or UI graphics. Hands, legs and faces photorealistic, anatomically correct, no extra limbs or fused fingers. No real or fake brand identifiers.

Sora 2: A dramatic episode from science fiction feature film in the genre pseudo - documentary in Russian. USSR in the 60s. The weather is gloomy in late autumn. A light rain is drizzling. The temperature is about 10 degrees Celsius. A The colossal construction of the scientific research institute complex, which includes underground laboratories and multi-storey buildings with a territory of several kilometers, as part of the construction of the science city of Svetloleninsk. Soviet mathematician and inventor Viktor Ivanovich Kunitsyn, a well-read, kind, thin man with a small mustache, about 40 years old, wearing glasses, a white shirt with a black tie, and black trousers. He has a small mustache. Viktor Ivanovich stands next to his daughter a pretty 25-year-old Russian young woman named Katya Kunitsyna is a time traveler. She has beautiful long hair, a pretty face, and gray eyes. She is wearing a long knitted sweater, dark tights, rubber boots, and he has a small Soviet gray travel backpack on his back. Katya hugs her dad and cries. Katya tells her dad in Russian: "Ona byla dlya nih kak mama." A construction site, a grandiose construction of a research institute in the science city of Svetloleninsk is underway in the background. The voices in Russian of construction workers can be heard in the background at a distance. The surroundings, cars, clothes, construction equipment and background correspond to the USSR in the 60s, without anachronisms. - Old camcorder handheld, old Soviet Footage 60s. Retro tones. With subtle vertical micro-shake from operator’s breath. Focus briefly drifts, then smoothly returns—stable yet human. During a fast pan, slight rolling-shutter skew appears. - Natural old sound 60s, characteristic background sounds. Without music. - No text overlays, watermarks, or UI graphics. Hands, legs and faces photorealistic, anatomically correct, no extra limbs or fused fingers. No real or fake brand identifiers.

Kling 2.5 Turbo (pro): The tallest boy slowly gets on the bus, but since he is very tall, he has to bend down to get in. The camera follows the whole boy, including his sneakers.

Kling 2.5 Turbo (pro): The tallest boy slowly gets on the bus, but since he is very tall, he has to bend down to get in. The camera follows the whole boy, including his sneakers.

CogVideoX-5B: 3D render, ultra‑realistic, cinematic lighting:   grand royal feast in futuristic Egypt, massive open palace terrace overlooking neon-lit pyramids, golden holographic obelisks rising into the night sky, deep sapphire-blue ambient glow. At the center — long ceremonial table of polished gold, covered with futuristic crystal dishes, floating holographic fruits, glowing blue drinks, ornate metallic trays with exotic food. Around the table — Egyptian nobles of the future, wearing royal attire combining ancient motifs with sci‑fi elements: gold-plated armor pieces, blue energy fabrics, glowing hieroglyphic patterns, elegant jewelry with floating light particles. The Pharaoh sits on a levitating golden throne, crowned with a radiant blue energy‑crown, surrounded by priestesses with luminous staffs. Decor: – giant golden columns with animated hieroglyphs – floating lanterns emitting soft blue light – robotic falcons perched on rails – shimmering sandstorms visible far in the desert Atmosphere:epic, majestic, festive, warm gold highlights + deep blue shadows, volumetric light rays, soft fog, ultra-detailed textures, 8K, hyper‑realistic materials, premium cinematic composition.

Sora 2: 3D render, ultra‑realistic, cinematic lighting:   grand royal feast in futuristic Egypt, massive open palace terrace overlooking neon-lit pyramids, golden holographic obelisks rising into the night sky, deep sapphire-blue ambient glow. At the center — long ceremonial table of polished gold, covered with futuristic crystal dishes, floating holographic fruits, glowing blue drinks, ornate metallic trays with exotic food. Around the table — Egyptian nobles of the future, wearing royal attire combining ancient motifs with sci‑fi elements: gold-plated armor pieces, blue energy fabrics, glowing hieroglyphic patterns, elegant jewelry with floating light particles. The Pharaoh sits on a levitating golden throne, crowned with a radiant blue energy‑crown, surrounded by priestesses with luminous staffs. Decor: – giant golden columns with animated hieroglyphs – floating lanterns emitting soft blue light – robotic falcons perched on rails – shimmering sandstorms visible far in the desert Atmosphere:epic, majestic, festive, warm gold highlights + deep blue shadows, volumetric light rays, soft fog, ultra-detailed textures, 8K, hyper‑realistic materials, premium cinematic composition.

Sora 2: The camera does not move. In the distance, a ball of light glowing with a cold bluish light rolls away from the camera into the depths of the forest, disappearing among the trees. A trail of cold blue light remains behind it. The snow falls slowly to the ground, and a gentle wind blows through the trees.