Wan 2.5 Preview: the wind blows on the roses

Sora 2: Behind-the-scenes footage of a professional commercial film set for Strepsils Chesty Cough, featuring a film crew with high-end cinema cameras, studio lighting rigs, sound booms, and a director and crew members working focusedly on set, capturing the busy and creative atmosphere of a commercial production studio.

Wan 2.5 Preview: the wind blows on the roses

Sora 2: The face should look like the original. The singer in a short tutu skirt does a pirouette and dances techno

Kling 2.5 Turbo (pro): Ekspresi Muka sedang birahi

Sora 2: The girl is dancing and singing techno, and her face should look like the original.

Kling 1.0 (standard): She undressed her jeans and touch underwear

Kling 2.5 Turbo (pro): Take off jeans

Sora 2: Insane brainrot TikTok video, nonstop visual noise, skibidi toilet army vs sigma males, random "fanum tax" and "mewing" text exploding on screen, distorted laughing faces, subway surfers + family guy funny moments in the background, rapid zoom and shake camera, glowing "AURA +" numbers flying around, pure chaotic meme dump, low attention span style, vertical 9:16, hyper saturated colors

Wan 2.5 Preview: The patient takes deep breaths into the anesthesia mask, you can hear his breathing is loud. "That's it, just breathe" The older male doctor whispers to his patient as he very gently rubs the patients head. The patients eyes blink slowly before he finally falls asleep. The doctor keeps holding the anesthesia mask over the patients face as he sleeps.

Sora 2: The face should look like the original, and the girl should be singing and dancing to techno music, bending down to pick up a bouquet of flowers.

Kling 2.5 Turbo (pro): Animate the uploaded album cover as the starting frame. KEEP THE ORIGINAL IMAGE EXACTLY AS IT IS AT THE BEGINNING. Do not change the character, face, clothing, hands, birds, landscape, vegetation, colors or composition. The artwork begins completely stable and clearly visible. Then the entire image gradually begins to dissolve and disintegrate. The colors slowly fade and separate from the artwork into thousands of tiny luminous particles. The particles detach from the character, birds, vegetation and background and begin flowing outward in elegant swirling vortexes. The original image progressively loses its form. Increase the speed and energy of the swirling particles. Colors stretch into beautiful trails of light, fragments and dust, creating a powerful artistic spiral moving outward from the center and across the entire frame. The original artwork must progressively disappear completely. No recognizable elements of the album cover should remain. The particles become smaller, fewer and more transparent. The colors fade progressively into darkness. END WITH A COMPLETELY BLACK, EMPTY SCREEN. IMPORTANT: Do not create a new scene. Do not add new objects. Do not transform the character. Do not change the composition. This is a controlled artistic DISINTEGRATION of the uploaded image into particles, color, light and dust. FINAL STATE: COMPLETE BLACKNESS.

Sora 2: A realistic raw documentary extreme wide aerial footage, captured from a significant distance by a professional stabilized drone camera using a powerful 300mm telephoto lens with intense lens compression effect. High-altitude mountain pass, raw real-world geography, natural daylight, desaturated organic earth colors. The camera smoothly glides forward and gently pans down, looking down at a wide gentle rocky slope made of grey stones, dirt, and rough rocks, strictly no snow underfoot. In the far distant horizon, massive sharp mountain peaks with white snow are visible under heavy grey overcast clouds with realistic soft sunbreaks. Down below on on a gentle rocky slope, two tiny, proportional female silhouettes are standing opposite each other at a short distance, engaged in a conversation. The first woman Katya has loose brown hair naturally blowing in the heavy wind; she is wearing a grey knit sweater, black leggings, dark green rubber boots. On the cold grey stones near her feet, her rugged backpack lies flat on the ground. The second woman Nadia stands directly facing her at a distance, wearing a turquoise jacket, dark trousers, dark hiking boots, with her dark brown hair tied into a ponytail on the back of her head. Next to Nadia, there is a small pyramid made of flat stones, no higher than her knees, stacked by hand the kind you might find in mountainous areas. Both characters are naturally moving and alive, showing realistic body swaying against the strong mountain air currents, subtle emotional arm gestures while speaking, and natural organic head tilts as they talk. The color palette is natural, organic, and desaturated, featuring raw earth tones and cold graphite stone. Natural sound, wind noise, completely without music, no speech. No text overlays, watermarks, or UI graphics. Hands, legs and faces the characters stay photoreal with clean proportions, anatomically correct, no extra limbs or fused fingers. Without subtitles. No flickering, tearing, digital glitches, or inconsistent lighting. No real or fake brand identifiers.

Sora 2: A realistic raw documentary extreme wide aerial footage, captured from a significant distance by a professional stabilized drone camera using a powerful 300mm telephoto lens with intense lens compression effect. High-altitude mountain pass, raw real-world geography, natural daylight, desaturated organic earth colors. The camera smoothly glides forward and gently pans down, looking down at a wide gentle rocky slope made of grey stones, dirt, and rough rocks, strictly no snow underfoot. In the far distant horizon, massive sharp mountain peaks with white snow are visible under heavy grey overcast clouds with realistic soft sunbreaks. Down below on the stony slope, two tiny, proportional female figures are standing and engaged in a conversation. The first woman Katya has loose brown hair naturally blowing in the heavy wind; she is wearing a grey knit sweater, black leggings, dark green rubber boots. On the cold grey stones near her feet, her rugged backpack lies flat on the ground. The second woman Nadia stands directly facing her at a distance, wearing a turquoise jacket, dark trousers, dark hiking boots, with her dark brown hair tied into a ponytail on the back of her head. Next to Nadia, there is a small pyramid made of flat stones, no higher than her knees, stacked by hand the kind you might find in mountainous areas. Both characters are naturally moving and alive, showing realistic body swaying against the strong mountain air currents, subtle emotional arm gestures while speaking, and natural organic head tilts as they talk. The color palette is natural, organic, and desaturated, featuring raw earth tones and cold graphite stone. Natural sound, wind noise, completely without music, no speech. No text overlays, watermarks, or UI graphics. Hands, legs and faces the characters stay photoreal with clean proportions, anatomically correct, no extra limbs or fused fingers. Without subtitles. No flickering, tearing, digital glitches, or inconsistent lighting. No real or fake brand identifiers.

Kling 2.5 Turbo (pro): A one-legged woman walks with a steady, measured gait toward the camera on her single leg and crutches. Her left leg has been amputated up to the lower third of the left thigh and the folded trousers leg hides the the left tjigh stump. As she moves, she slightly shifts her crutches forward simultaneously, simultaneously placing them close to her sides rather than wide apart, leans on the crutches handles, and then takes a step with her only right leg. The camera continuously pulls back, showing the woman in full length. Do not attach a left leg to this woman! The woman has only a right leg!