Sora 2: Simple sucks

Sora 2: (Russian Dub) In supermarket, Buba says in Russian, "How much is lava lava matshlava chips", the salesman replies that it costs 67 dollars, Buba Shouts in Russian, "WHAT? SIX SEVE BLYAA®AAAAAAAAAAM" and the city explodes with fires

PixVerse v5: European women with model‑like features are dancing rhythmic dances in the pool.

Kling 2.5 Turbo (pro): A woman with the left leg amputated up to the lower third of the thigh walks effortlessly from the camera on her single right leg and crutches. As she moves, she simultaneously shifts two her crutches forward slightly, placing them close to her sides rather than wide apart, simultaneously leans on crutches handles, and then takes a step with her single leg, the right one. The camera continuously pulls forward, showing the woman in full length preserving her perfect right leg wearing white wedge sandal. Do not attach a second leg to her or imagine that the second leg exists. It was amputated long ago.

Sora 2: (Russian Dub) In supermarket, Buba says in Russian, "How much is lava lava matshlava chips", the salesman replies that it costs 67 dollars, Buba Shouts in Russian, "WHAT? SIX SEVE BLYAA®AAAAAAAAAAM" and the city explodes with fires

Kling 2.5 Turbo (pro): the girl is running calmly and confidently along the mountain trail

Kling 2.5 Turbo (pro): A woman with the left leg amputated up to the lower third of the thigh walks effortlessly toward the camera on her single right leg and crutches. As she moves, she simultaneously shifts two her crutches forward slightly, placing them close to her sides rather than wide apart, simultaneously leans on crutches handles, and then takes a step with her single leg, the right one. The camera continuously pulls back, showing the woman in full length preserving her perfect right leg. Do not attach a second leg to her or imagine that the second leg exists. It was amputated long ago

Sora 2: Interior Passage Walkthrough — Shot Plan Shot 1 — Entry View (0–3s) Starting position: Camera begins outside the passage, facing directly toward the large wooden door. Framing: Left cabinet visible on one side, column with hidden cabinet visible on the other. Motion: Smooth dolly forward, eye‑level perspective (~1.65 m). Focus: Symmetry of cabinets and door alignment, warm LED glow guiding the entry. Shot 2 — Mid‑Passage Glide (3–7s) Camera path: Continue moving forward into the passage at walking pace. Framing: Both cabinets opposite each other, door centered between them. Depth cues: Subtle parallax from recessed lighting and polished floor reflections. Mood: Calm, balanced, emphasizing the facing cabinetry relationship. Shot 3 — Centered Frontal View (7–10s) Final position: Camera stops inside the passage, perfectly centered. Framing: Door fills the middle of the frame, cabinets balanced on either side. Lighting: Warm recessed ceiling lights and LED strips highlight textures. End motion: Gentle ease‑out for a stable, cinematic finish. ✨ Technical Notes Material fidelity → Wood grain, matte finishes, and lighting unchanged. Lighting consistency → Match intensity and color temperature (~2700 K). No alterations → Layout of both cabinets and door preserved exactly.

Sora 2: Make the car have a loud downpipe sound, with small flames popping, without changing the camera angle.

Wan 2.5 Preview: He smiles,makes a gesture , and raises his glass of wine in honor of the birthday girl

Sora 2: Make a golf 5 gti red tuned in Athens going to parking with car sound downpipe turbo air filter

PixVerse v5: Interior Passage Walkthrough — Shot Plan Shot 1 — Entry View (0–3s) Starting position: Camera begins outside the passage, facing directly toward the large wooden door. Framing: Left cabinet visible on one side, column with hidden cabinet visible on the other. Motion: Smooth dolly forward, eye‑level perspective (~1.65 m). Focus: Symmetry of cabinets and door alignment, warm LED glow guiding the entry. Shot 2 — Mid‑Passage Glide (3–7s) Camera path: Continue moving forward into the passage at walking pace. Framing: Both cabinets opposite each other, door centered between them. Depth cues: Subtle parallax from recessed lighting and polished floor reflections. Mood: Calm, balanced, emphasizing the facing cabinetry relationship. Shot 3 — Centered Frontal View (7–10s) Final position: Camera stops inside the passage, perfectly centered. Framing: Door fills the middle of the frame, cabinets balanced on either side. Lighting: Warm recessed ceiling lights and LED strips highlight textures. End motion: Gentle ease‑out for a stable, cinematic finish. ✨ Technical Notes Material fidelity → Wood grain, matte finishes, and lighting unchanged. Lighting consistency → Match intensity and color temperature (~2700 K). No alterations → Layout of both cabinets and door preserved exactly.

Sora 2: The woman dives into the water and catches a huge catfish.

Sora 2: The woman dives into the water and catches a huge anaconda.

Sora 2: A red wolf in th left says "Holy shyet, Is that a sling?" then the man in the right says "I'm feeling a little mingo". then the wolf uses his powers to throw the man away