Kling 2.5 Turbo (pro): Cinematic realistic Persian family music video. A loving father in his mid-40s happily holds his newborn baby daughter at home for the first time. He looks at her with pure love and joy. Warm sunlight fills the room. Show a beautiful happy family atmosphere, then the little girl laughing and playing with her father as she grows. The father gently lifts her in his arms and smiles. Warm golden colors, joyful atmosphere, natural emotions, realistic human movement, smooth cinematic camera, uplifting and heartwarming feeling, modern Persian pop-rock music video, professional film look, 16:9, no text, no subtitles.

Kling 2.5 Turbo (pro): Create a cinematic realistic music video about a loving father and his daughter. Start with the father holding his newborn daughter for the first time. Show her growing through childhood into a happy 16-year-old girl. Show joyful memories of them walking hand in hand, playing in a park, laughing together and sharing warm family moments. Show the father watching her grow with love and pride. As a teenager, she dreams about her future and wants to follow her dreams. The father supports her and encourages her to be brave and independent, while always being there for her. Include bright joyful scenes, warm emotional memories and hopeful sunset scenes. End with the father and daughter embracing as the sun sets, expressing deep fatherly love, pride and hope. Realistic people, natural emotions, warm cinematic lighting, beautiful camera movement, uplifting Persian pop-rock music video style, colorful and joyful atmosphere, professional film look, 16:9, no text, no subtitles.

Kling 2.5 Turbo (pro): Recovered 1996 US county police interrogation tape, 4:3, played from a worn VHS cassette. Heavy analogue artefacts: chroma bleed, scan lines, tracking noise at the frame edges, slight vertical jitter, colour desaturated toward green, soft low-resolution detail. Harsh flat overhead fluorescent light. A small windowless room: beige cinderblock wall, a scuffed metal table bolted to the floor, a reel-to-reel recorder at the edge of frame. One fixed ceiling-corner camera, wide angle, locked off: no pan, no tilt, no zoom, no drift, not once. Seated at the table: a white man, 47, entirely average build, thinning light-brown hair combed to one side, receding hairline, broad mild placid face with no memorable features, close-shaven, pale blue work shirt buttoned to the collar. He sits very upright with both hands flat on the table, fingers together, motionless. For the first four seconds he listens, still and attentive, head slightly inclined toward an unseen officer to the left of the lens. An off-camera male voice, flat and tired, asks in Spanish: "Señor Pike. Si lo único que quería era estar dentro de la casa, ¿por qué no se limitó a entrar?" He answers immediately, without hesitation, in a low even mid-baritone, as if the answer were obvious: "Porque mientras estuvieran dentro, la casa era suya." His expression does not change at any point. He then sits in silence for the remaining seconds. Fluorescent hum and turning tape under everything. No music. DO NOT INCLUDE: camera movement, music, timecode, date stamp, subtitles or any text in frame, blood or violence, flashbacks or cutaways, dramatic lighting, shallow focus, or any behaviour that reads as menacing or theatrical.

Kling 2.5 Turbo (pro): [ASPECTO: same 1996 VHS interrogation tape look, 4:3, locked-off ceiling-corner camera, no camera movement of any kind, harsh fluorescent light, beige cinderblock, bolted metal table, reel-to-reel recorder at frame edge, no text anywhere.] Seated at the far side of the table: a white man, 47, entirely average build, thinning light-brown hair combed to one side, receding hairline, broad mild placid face, close-shaven, pale blue work shirt buttoned to the collar. He sits very upright with both hands flat on the table, fingers together, and does not fidget. He looks slightly to the left of the lens, toward an unseen officer. He listens, then begins to speak calmly, lips moving unhurriedly, a short reply. Calm and faintly courteous expression throughout. He is not menacing, not smug, not theatrical. No dialogue audio, silent.

Kling 2.5 Turbo (pro): 1996 US county police interrogation tape, recovered VHS archive footage, 4:3. Heavy analogue video artefacts: chroma bleed, scan lines, tracking noise at the frame edges, slight vertical jitter, colour desaturated toward green. Single fixed ceiling-corner camera, wide angle. The camera is locked off: absolutely no pan, no tilt, no zoom, no dolly, no handheld drift, no focus pull. Harsh overhead fluorescent light. Small windowless room: cinderblock wall painted institutional beige, a scuffed metal table bolted to the floor, two chairs, a reel-to-reel tape recorder at the edge of frame with its reels slowly turning. THE ROOM IS EMPTY: no people at all, nobody enters, nobody leaves. The empty chair on the far side of the table. Nothing happens for the entire shot except the faint flicker of the fluorescent tube and the turning reels. No text anywhere in frame. No dialogue, no music, silent. It must look recorded, not filmed.

Sora 2: A mysterious episode from science fiction Soviet feature film in the genre of "Found Footage" in Russian . The USSR, 1984 year, the secret underground room numbered 9 of the Scientific Research Institute named after Alexander Petrovich Eremin. The camera is perfectly static, filmed on a vintage Soviet LOMO 50mm movie lens with a soft shallow depth of field, focused sharply on Viktor Ivanovich Kunitsyn. The Soviet mathematician and inventor Viktor Ivanovich Kunitsyn, a well-read, kind, thin 40-year-old man with a neat small mustache, short dark hair, and round glasses in a thin wire frame, stands in the dark room. He is wearing a clean white shirt with a black slim tie and dark trousers with suspenders. A dynamic, dim, flickering teal-turquoise light source from an unseen entity in front of him falls naturally on his calm face, creating deep moving shadows and reflecting in his round glasses lenses. Viktor Kunitsyn says in Russian: "Vam nado poznakomitsya s Katey." In the style of old Soviet cinema of the 1980s, authentic aged film stock texture with natural analog organic grain, low optical contrast, soft retro color tones with subtle vertical micro-shake from operator’s breath. Natural sounds. Without music. No text overlays.

Sora 2: Aumsum what if clock disappeared first second third fourth five lastly

Sora 2: A mysterious episode from science fiction Soviet feature film in the genre of "Found Footage" in Russian. The USSR, 1984 year, the secret underground room numbered 9 of the Scientific Research Institute named after Alexander Petrovich Eremin. The camera is perfectly static, filmed on a vintage Soviet LOMO 50mm movie lens with a soft shallow depth of field, focused sharply on Viktor Ivanovich Kunitsyn. The Soviet mathematician and inventor Viktor Ivanovich Kunitsyn, a well-read, kind, thin 40-year-old man with a neat small mustache, short dark hair, and round glasses in a thin wire frame, stands in the dark room. He is wearing a clean white shirt with a black slim tie and dark trousers with suspenders. A dynamic, dim, flickering teal-turquoise light source from an unseen entity in front of him falls naturally on his calm face, creating deep moving shadows and reflecting in his round glasses lenses. Viktor Kunitsyn says sadly in Russian: "Ya ne smogu s vami rabotat'." In the style of old Soviet cinema of the 1980s, authentic aged film stock texture with natural analog organic grain, low optical contrast, soft retro color tones with subtle vertical micro-shake from operator’s breath. Natural sounds. Without music. No text overlays.

Sora 2: “Two brothers suddenly come to life in the photo. They look at each other, smile and start walking together down the street. One of them puts his arm around the other’s shoulder. They laugh, then look toward the camera and wave. A light breeze moves their hair and clothes naturally. The camera slowly follows them from the front, then smoothly moves around to show them walking away together. Golden-hour sunlight, realistic facial expressions, natural body movements, cinematic camera movement, ultra-realistic, 4K. Keep both boys’ faces, hairstyles and clothes exactly the same as in the original photo. No face distortion, no extra people, no changes to identity.”

Kling 2.5 Turbo (pro): The wind carries a dusting of snow. Crows fly in the sky. A man and a woman, their clothes dusted with snow, argue, then get up and leave. **The camera circles around the central object, showing it from all angles**.

Kling 2.5 Turbo (pro): A man and a woman argue, then get up and leave. **The camera circles around the central object, showing it from all angles**.

Sora 2: A Youtuber Plays a Game

Sora 2: Cinematic. 19s century, Central Africa. In the middle of the jungle 2 french explorers enter the village of aboriginal African tribe. This tribe only consists of women, and they are all tall, slim, fit, cute and gorgeous. They are afraid of the explorers but interested in them

Hunyuan Video v1.5: Here's a ready-to-use prompt you can feed into an AI video/animation tool (or hand to an animator): Prompt: "Create a 10-minute 3D animated kids' rhyme video in the style of Cocomelon — bright pastel colors, soft rounded character designs, a toddler-friendly cast (a baby boy, baby girl, and their family), and a cheerful, sing-along tone. Dub all vocals in Tamil with clear, simple, age-appropriate vocabulary suited for toddlers aged 1–4. Structure (10 min total): Include 4–5 short rhymes/songs (1.5–2 min each), each teaching one simple concept: numbers, colors, animals, body parts, or good habits (brushing teeth, sharing, bath time). Each segment: catchy repetitive chorus, simple melody, on-screen animated actions matching the lyrics, bright classroom/home/garden backgrounds. Smooth transitions between segments (spinning toy, page-turn, or bubble wipe). Audio: Tamil lyrics written in easy, natural spoken Tamil (not overly formal/literary) — the kind used in Chutti TV or Tamil preschool content. Upbeat, looping instrumental backing (xylophone, ukulele, claps) — no lyrics overlap or noise clutter. One consistent child-friendly narrator/singer voice throughout. Visuals: Exaggerated large eyes, soft edges, high contrast colors, minimal background clutter to hold toddler attention. Character mouth movements loosely synced to Tamil dubbing. Output: 1920x1080, 10:00 duration, MP4."

Sora 2: Nick Jr Logo