Sora 2: Create a 7–10 second high-quality cinematic video based on the reference image. 1. Start with a top-down digital map of downtown Chattanooga, TN, showing landmarks like the Tennessee River, Walnut St Bridge, and streets labeled clearly (North Shore, Southside District, I-24, Main St). 2. Smoothly zoom in with dynamic, cinematic movement. 3. Gradually transition from 2D map view into realistic 3D aerial cityscape. 4. Focus final shot on the rooftop of a modern skyscraper, featuring: - helipad - HVAC units - reflective glass windows - realistic daytime lighting 5. Camera movement should be smooth, cinematic, with ease-in and ease-out curves. 6. Style should emulate modern cartography services (like Google Maps or Yandex Maps): - clean lines - readable labels - minimalistic infographic style - realistic city building textures 7. Daylight illumination, clear visibility, subtle shadows emphasizing architectural details. 8. Output format: MP4 or WebM, 30 FPS, HD or 4K. Use the reference im

Sora 2: Panda made from pebbles try to catch a snowflake

Kling 2.5 Turbo (pro): A realistic Indian man in his 30s, medium brown skin, short black hair, clean-shaven, wearing a plain neutral shirt. He is standing still against a simple light gray background. The camera is fixed, front-facing, chest-up framing. The man slowly turns his head to look left, then right, then up, then down. Natural facial expression, smooth and subtle head movement, realistic lighting, no camera movement, no text, no extra motion

Sora 2: A realistic Indian man in his 30s, medium brown skin, short black hair, clean-shaven, wearing a plain neutral shirt. He is standing still against a simple light gray background. The camera is fixed, front-facing, chest-up framing. The man slowly turns his head to look left, then right, then up, then down. Natural facial expression, smooth and subtle head movement, realistic lighting, no camera movement, no text, no extra motion

CogVideoX-5B: A deep dark blue sphere appears in empty space. A glowing golden bitcoin slowly rolls out of the sphere. The sphere suddenly shatters into hundreds of small dark blue spheres, floating smoothly in zero gravity. A futuristic astronaut appears, levitating calmly in open outer space. Beautiful planets gently fly and orbit around him, soft cosmic light, nebula clouds, cinematic depth. The bitcoin floats next to the astronaut, connected to him by a thin USB cable, the cable slowly waving in zero gravity. At the end of the scene, all the small dark blue spheres rapidly fly away in different directions. The background smoothly fades into a clean pure white space. Only the astronaut and the floating bitcoin remain, minimalistic, elegant, futuristic ending. Ultra realistic, cinematic sci-fi, slow motion, smooth transitions, volumetric lighting, high contrast, 4K quality, shallow depth of field.

Sora 2: A deep dark blue sphere appears in empty space. A glowing golden bitcoin slowly rolls out of the sphere. The sphere suddenly shatters into hundreds of small dark blue spheres, floating smoothly in zero gravity. A futuristic astronaut appears, levitating calmly in open outer space. Beautiful planets gently fly and orbit around him, soft cosmic light, nebula clouds, cinematic depth. The bitcoin floats next to the astronaut, connected to him by a thin USB cable, the cable slowly waving in zero gravity. At the end of the scene, all the small dark blue spheres rapidly fly away in different directions. The background smoothly fades into a clean pure white space. Only the astronaut and the floating bitcoin remain, minimalistic, elegant, futuristic ending. Ultra realistic, cinematic sci-fi, slow motion, smooth transitions, volumetric lighting, high contrast, 4K quality, shallow depth of field.

MiniMax Hailuo-02 (pro): Looking at viewer mouth wide open sticking out tongue drooling alot.

Sora 2: A realistic middle-class Indian home interior in the evening. A worried Indian man sitting on a sofa, holding an electricity bill in his hand, looking stressed and thoughtful. Low warm indoor lighting, slightly dim environment, shadows on the face showing tension. Simple Indian household setting, curtains near a window, soft evening ambience outside. Facial expression clearly shows concern about high electricity costs. Cinematic composition, shallow depth of field, emotional storytelling frame. Ultra-realistic, natural skin tones, professional cinematic lighting. No text, no logos, no watermark.

Sora 2: Photorealistic vintage Faster Frost drawing in old Microsoft Paint speed up step-by-step from scratch

Sora 2: Photorealistic vintage Santa Claus drawing in old Microsoft Paint speed up step-by-step

Kling 1.6 (pro): A realistic honey bottle rotating smoothly in place, rotating slightly to the right and left with natural motion. Cinematic lighting with soft reflections on the glass surface. The camera performs a gentle zoom in and zoom out, creating a dynamic and premium product showcase. The label text on the bottle remains sharp, clear, and completely unchanged, exactly as the original. Ultra-realistic, high detail, natural shadows, product photography style, smooth motion, professional commercial look.

Kling 1.6 (pro): Ultra-realistic honey bottle slowly rotating in a controlled, smooth motion. Warm golden cinematic light highlighting the honey texture inside the bottle. Subtle camera zoom in and zoom out for depth and elegance. The label text stays fixed, readable, and identical to the original with no distortion or movement. High-end commercial product animation, 4K quality, realistic reflections and shadows.

Sora 2: an ibishu bx-diana coupe

Sora 2: an ibishu bx-200 with pop up head lights

Sora 2: The camera glides smoothly through a futuristic city bathed in soft blue light, weaving between tall curved skyscrapers sparkling with built-in technology. In the center is a colossal high-rise building that slowly rotates, radiating energy. The camera turns up. On earth, wide footpaths are filled with movement: people are purposefully strolling, their clothes are slightly fluttering in the wind, their facial expressions change when interacting with holographic interfaces. The central figure steps forward, not taking his eyes off the floating structure above his head, his hair tousled by the wind, his pose confident but thoughtful. Their fingers touch the device on their wrist, causing ripples of light to run down the sleeve. The camera circles them in an arc, capturing the play of movements — buildings reflecting light, slowly floating clouds, gesticulating figures in the distance and a platform above them, imperceptibly changing its position. The atmosphere is utopian, but at the same time electrifying, filled with possibilities. Highlights flicker on the polished surfaces, and the city breathes in a single rhythm. When the figure stops, the camera pulls back, revealing the full splendor of the scene — lively, intricate and cinematic. The camera slides low over the turquoise channel, reflecting a glimpse of the futuristic horizon, where needle towers shimmer with blue energy. The central spire pulsates with light, casting dynamic glare on the metal facades of the surrounding buildings. The flying machines describe an arc overhead, their movements synchronized, as in a technological ballet. The camera turns up