Kling 1.6 (pro): Ultra-realistic honey bottle slowly rotating in a controlled, smooth motion. Warm golden cinematic light highlighting the honey texture inside the bottle. Subtle camera zoom in and zoom out for depth and elegance. The label text stays fixed, readable, and identical to the original with no distortion or movement. High-end commercial product animation, 4K quality, realistic reflections and shadows.

Sora 2: an ibishu bx-diana coupe

Sora 2: an ibishu bx-200 with pop up head lights

Sora 2: The camera glides smoothly through a futuristic city bathed in soft blue light, weaving between tall curved skyscrapers sparkling with built-in technology. In the center is a colossal high-rise building that slowly rotates, radiating energy. The camera turns up. On earth, wide footpaths are filled with movement: people are purposefully strolling, their clothes are slightly fluttering in the wind, their facial expressions change when interacting with holographic interfaces. The central figure steps forward, not taking his eyes off the floating structure above his head, his hair tousled by the wind, his pose confident but thoughtful. Their fingers touch the device on their wrist, causing ripples of light to run down the sleeve. The camera circles them in an arc, capturing the play of movements — buildings reflecting light, slowly floating clouds, gesticulating figures in the distance and a platform above them, imperceptibly changing its position. The atmosphere is utopian, but at the same time electrifying, filled with possibilities. Highlights flicker on the polished surfaces, and the city breathes in a single rhythm. When the figure stops, the camera pulls back, revealing the full splendor of the scene — lively, intricate and cinematic. The camera slides low over the turquoise channel, reflecting a glimpse of the futuristic horizon, where needle towers shimmer with blue energy. The central spire pulsates with light, casting dynamic glare on the metal facades of the surrounding buildings. The flying machines describe an arc overhead, their movements synchronized, as in a technological ballet. The camera turns up

Kling 2.5 Turbo (pro): A girl turns into a monster

Sora 2: "A large crowd of women of different ages running down a European-style street. There are more than 50 women, we see only their backs, showing how many of them there are. A senior man passes by, stops next to the running crowd, looking at them with surprise. It is daytime, warm weather. The man wears a warm jacket and black pants. The women are dressed in light clothing, four of them wearing house robes and slippers. Cinematic, realistic style, vertical 9:16 format, focus on the crowd and the man's reaction."

Sora 2: Create a cinematic animated short film in the Disney Pixar style, with the emotional gravity, visual polish, and narrative pacing of a real feature film scene, comparable to the opening backstory sequence of Encanto (the Abuela Madrigal scene). This must not look like an AI-generated video. It must look like a finished studio-quality animated short, with natural animation, realistic lighting, subtle facial acting, believable physics, and emotionally grounded performances. General Style and Tone Style: Disney Pixar cinematic realism, hand-crafted animation feel Lighting: Soft, warm candlelight at night; gentle sunrise glow in the morning Color palette: Muted, earthy tones at night; hopeful warm colors at dawn Camera: Slow cinematic camera movements, shallow depth of field, emotional close-ups Animation: Natural breathing, trembling hands, micro-expressions, tears behaving realistically Music: Original orchestral score, very subtle piano and strings at first, slowly swelling emotionally Pacing: Slow, patient, dramatic. Let silence and music carry emotion. Duration: 1 to 2 minutes, allowing time for emotional buildup SCENE 1 – NIGHT – EXTREME POVERTY, SILENCE AND HUNGER Interior of a small, extremely humble house, almost empty. Cracked walls, worn furniture, dim candlelight. A mother sits on the floor with her young children. The children are thin, tired, crying softly, asking for food. Dialogue (Portuguese – Brazil): Children (crying, weak voices): “Mamãe… a gente tá com fome…” The mother, exhausted but gentle, holds them close. Her voice trembles, but she forces calm. Mother (soft, loving): “Esperem só mais um pouquinho, meus amores… Deus vai nos dar tudo o que precisamos.” Camera lingers on her face. She is trying not to cry. The room slowly darkens as night deepens. Fade to shadow transition. SCENE 2 – NIGHT – MOTHER’S PRAYER (PRIVATE, BROKEN) The children fall asleep on the floor, holding each other. The mother quietly stands up and leaves the room. She collapses to her knees in the next room. Her body shakes. She cries deeply, trying to hold back sobs but failing. Dialogue (Portuguese – Brazil, whispered, broken): “Por favor, meu Deus… minhas crianças não têm o que comer. Eu preciso de ajuda… qualquer coisa serve.” Tears fall onto the floor. Her hands cover her face. Silence, except for music and breath. She slowly gets up, returns to the children, lies down with them, holding them tightly. She cries quietly now, almost silent. No one hears her… except Jesus. SCENE 3 – NIGHT – JESUS ENTERS (UNSEEN, HOLY STILLNESS) Soft golden light subtly fills the room. Jesus enters silently, unseen by the family. He is gentle, humble, full of peace. No exaggerated glow. Just warmth and presence. He looks at the sleeping family with infinite compassion. Dialogue (Portuguese – Brazil, calm, loving): “Eu nunca vou deixá-los, meus filhos.” He walks slowly to the side of the room. Without noise, abundant food appears: bread, fruits, simple meals. Everything looks real, warm, nourishing. The family does not wake up. Fade to shadow transition. SCENE 4 – MORNING – MIRACLE REVEALED Morning sunlight fills the room. The mother wakes up to the sound of laughter. Her children are already awake, eating the food joyfully, smiling, laughing. Children (happy, excited): “Mamãe! Tem comida!” The mother freezes. Her eyes widen. She covers her mouth, trembling. She begins to cry, overwhelmed with gratitude. She kneels, hands together, tears streaming. Dialogue (Portuguese – Brazil, emotional): “Obrigada, Jesus… obrigada por ouvir minha oração.” Camera slowly pulls back as music swells with hope and warmth. Final fade to black. FINAL NOTES No robotic motion No AI artifacts No uncanny facial animation Must feel like a lost Disney Pixar short film Emotion over spectacle Silence is as important as dialogue

Sora 2: Pizza pizza pizza

Sora 2: A dog runs toward the camera with excitement, playful energy, short viral clip, generated from photo

Sora 2: A dog appears like a boss, slow motion entrance, confident walk, funny attitude, cinematic comedy, 5 seconds, generated from photo

Sora 2: Lion in a bikini

Sora 2: mother and daughter running along the beach

Kling 2.5 Turbo (pro): The rat takes a doll head from the bowl and tosses it backward at the blue rabbit. The otter eats noodles with chopsticks. The woman hugs her dolly.

Kling 2.5 Turbo (pro): The rat takes a doll head from the bowl and tosses it backward at the clown. The otter eats pasts with chopsticks. The woman hugs her dolly.

PixVerse v3.5: jamaican-rudebwoy-skankin-dancin